Video Frame Interpolation (VFI) aims to predict the intermediate frame $I_n$ (we use n to denote time in videos to avoid notation overload with the timestep $t$ in diffusion models) based on two consecutive neighboring frames $I_0$ and $I_1$. Recent approaches apply diffusion models (both image-based and video-based) in this task and achieve strong performance. However, image-based diffusion models are unable to extract temporal information and are relatively inefficient compared to non-diffusion methods. Video-based diffusion models can extract temporal information, but they are too large in terms of training scale, model size, and inference time. To mitigate the above issues, we propose Temporal-Aware Latent Brownian Bridge Diffusion for Video Frame Interpolation (TLB-VFI), an efficient video-based diffusion model. By extracting rich temporal information from video inputs through our proposed 3D-wavelet gating and temporal-aware autoencoder, our method achieves 20% improvement in FID on the most challenging datasets over recent SOTA of image-based diffusion models. Meanwhile, due to the existence of rich temporal information, our method achieves strong performance while having 3times fewer parameters. Such a parameter reduction results in 2.3x speed up. By incorporating optical flow guidance, our method requires 9000x less training data and achieves over 20x fewer parameters than video-based diffusion models. Codes and results are available at our project page: https://zonglinl.github.io/tlbvfi_page.
Video Frame Interpolation (VFI) is a fundamental Low-Level Vision (LLV) task that synthesizes intermediate frames between existing ones while maintaining spatial and temporal coherence. VFI techniques have evolved from classical motion compensation-based approach to deep learning-based approach, including kernel-, flow-, hybrid-, phase-, GAN-, Transformer-, Mamba-, and more recently diffusion model-based approach. We introduce AceVFI, the most comprehensive survey on VFI to date, covering over 250+ papers across these approaches. We systematically organize and describe VFI methodologies, detailing the core principles, design assumptions, and technical characteristics of each approach. We categorize the learning paradigm of VFI methods namely, Center-Time Frame Interpolation (CTFI) and Arbitrary-Time Frame Interpolation (ATFI). We analyze key challenges of VFI such as large motion, occlusion, lighting variation, and non-linear motion. In addition, we review standard datasets, loss functions, evaluation metrics. We examine applications of VFI including event-based, cartoon, medical image VFI and joint VFI with other LLV tasks. We conclude by outlining promising future research directions to support continued progress in the field. This survey aims to serve as a unified reference for both newcomers and experts seeking a deep understanding of modern VFI landscapes.
Neural rendering methods have gained significant attention for their ability to reconstruct 3D scenes from 2D images. The core idea is to take multiple views as input and optimize the reconstructed scene by minimizing the uncertainty in geometry and appearance across the views. However, the reconstruction quality is limited by the number of input views. This limitation is further pronounced in complex and dynamic scenes, where certain angles of objects are never seen. In this paper, we propose to use video frame interpolation as the data augmentation method for neural rendering. Furthermore, we design a lightweight yet high-quality video frame interpolation model, PS4PRO (Pixel-to-pixel Supervision for Photorealistic Rendering and Optimization). PS4PRO is trained on diverse video datasets, implicitly modeling camera movement as well as real-world 3D geometry. Our model performs as an implicit world prior, enriching the photo supervision for 3D reconstruction. By leveraging the proposed method, we effectively augment existing datasets for neural rendering methods. Our experimental results indicate that our method improves the reconstruction performance on both static and dynamic scenes.
Video Frame Interpolation (VFI) is a fundamental yet challenging task in computer vision, particularly under conditions involving large motion, occlusion, and lighting variation. Recent advancements in event cameras have opened up new opportunities for addressing these challenges. While existing event-based VFI methods have succeeded in recovering large and complex motions by leveraging handcrafted intermediate representations such as optical flow, these designs often compromise high-fidelity image reconstruction under subtle motion scenarios due to their reliance on explicit motion modeling. Meanwhile, diffusion models provide a promising alternative for VFI by reconstructing frames through a denoising process, eliminating the need for explicit motion estimation or warping operations. In this work, we propose EventDiff, a unified and efficient event-based diffusion model framework for VFI. EventDiff features a novel Event-Frame Hybrid AutoEncoder (HAE) equipped with a lightweight Spatial-Temporal Cross Attention (STCA) module that effectively fuses dynamic event streams with static frames. Unlike previous event-based VFI methods, EventDiff performs interpolation directly in the latent space via a denoising diffusion process, making it more robust across diverse and challenging VFI scenarios. Through a two-stage training strategy that first pretrains the HAE and then jointly optimizes it with the diffusion model, our method achieves state-of-the-art performance across multiple synthetic and real-world event VFI datasets. The proposed method outperforms existing state-of-the-art event-based VFI methods by up to 1.98dB in PSNR on Vimeo90K-Triplet and shows superior performance in SNU-FILM tasks with multiple difficulty levels. Compared to the emerging diffusion-based VFI approach, our method achieves up to 5.72dB PSNR gain on Vimeo90K-Triplet and 4.24X faster inference.
Video frame interpolation (VFI) that leverages the bio-inspired event cameras as guidance has recently shown better performance and memory efficiency than the frame-based methods, thanks to the event cameras' advantages, such as high temporal resolution. A hurdle for event-based VFI is how to effectively deal with non-linear motion, caused by the dynamic changes in motion direction and speed within the scene. Existing methods either use events to estimate sparse optical flow or fuse events with image features to estimate dense optical flow. Unfortunately, motion errors often degrade the VFI quality as the continuous motion cues from events do not align with the dense spatial information of images in the temporal dimension. In this paper, we find that object motion is continuous in space, tracking local regions over continuous time enables more accurate identification of spatiotemporal feature correlations. In light of this, we propose a novel continuous point tracking-based VFI framework, named TimeTracker. Specifically, we first design a Scene-Aware Region Segmentation (SARS) module to divide the scene into similar patches. Then, a Continuous Trajectory guided Motion Estimation (CTME) module is proposed to track the continuous motion trajectory of each patch through events. Finally, intermediate frames at any given time are generated through global motion optimization and frame refinement. Moreover, we collect a real-world dataset that features fast non-linear motion. Extensive experiments show that our method outperforms prior arts in both motion estimation and frame interpolation quality.
In this work, we propose a new diffusion-based method for video frame interpolation (VFI), in the context of traditional hand-made animation. We introduce three main contributions: The first is that we explicitly handle the interpolation time in our model, which we also re-estimate during the training process, to cope with the particularly large variations observed in the animation domain, compared to natural videos; The second is that we adapt and generalize a diffusion scheme called ResShift recently proposed in the super-resolution community to VFI, which allows us to perform a very low number of diffusion steps (in the order of 10) to produce our estimates; The third is that we leverage the stochastic nature of the diffusion process to provide a pixel-wise estimate of the uncertainty on the interpolated frame, which could be useful to anticipate where the model may be wrong. We provide extensive comparisons with respect to state-of-the-art models and show that our model outperforms these models on animation videos. Our code is available at https://github.com/VicFonch/Multi-Input-Resshift-Diffusion-VFI.
Every generation of mobile devices strives to capture video at higher resolution and frame rate than previous ones. This quality increase also requires additional power and computation to capture and encode high-quality media. We propose a method to reduce the overall power consumption for capturing high-quality videos in mobile devices. Using video frame interpolation (VFI), sensors can be driven at lower frame rate, which reduces sensor power consumption. With modern RGB hybrid event-based vision sensors (EVS), event data can be used to guide the interpolation, leading to results of much higher quality. If applied naively, interpolation methods can be expensive and lead to large amounts of intermediate data before video is encoded. This paper proposes a video encoder that generates a bitstream for high frame rate video without explicit interpolation. The proposed method estimates encoded video data (notably motion vectors) rather than frames. Thus, an encoded video file can be produced directly without explicitly producing intermediate frames.
Video frame interpolation (VFI) in scenarios with large motion remains challenging due to motion ambiguity between frames. While event cameras can capture high temporal resolution motion information, existing event-based VFI methods struggle with limited training data and complex motion patterns. In this paper, we introduce Event-Guided Video Diffusion Model (EGVD), a novel framework that leverages the powerful priors of pre-trained stable video diffusion models alongside the precise temporal information from event cameras. Our approach features a Multi-modal Motion Condition Generator (MMCG) that effectively integrates RGB frames and event signals to guide the diffusion process, producing physically realistic intermediate frames. We employ a selective fine-tuning strategy that preserves spatial modeling capabilities while efficiently incorporating event-guided temporal information. We incorporate input-output normalization techniques inspired by recent advances in diffusion modeling to enhance training stability across varying noise levels. To improve generalization, we construct a comprehensive dataset combining both real and simulated event data across diverse scenarios. Extensive experiments on both real and simulated datasets demonstrate that EGVD significantly outperforms existing methods in handling large motion and challenging lighting conditions, achieving substantial improvements in perceptual quality metrics (27.4% better LPIPS on Prophesee and 24.1% on BSRGB) while maintaining competitive fidelity measures. Code and datasets available at: https://github.com/OpenImagingLab/EGVD.
We present Video Motion Graphs, a system designed to generate realistic human motion videos. Using a reference video and conditional signals such as music or motion tags, the system synthesizes new videos by first retrieving video clips with gestures matching the conditions and then generating interpolation frames to seamlessly connect clip boundaries. The core of our approach is HMInterp, a robust Video Frame Interpolation (VFI) model that enables seamless interpolation of discontinuous frames, even for complex motion scenarios like dancing. HMInterp i) employs a dual-branch interpolation approach, combining a Motion Diffusion Model for human skeleton motion interpolation with a diffusion-based video frame interpolation model for final frame generation. ii) adopts condition progressive training to effectively leverage identity strong and weak conditions, such as images and pose. These designs ensure both high video texture quality and accurate motion trajectory. Results show that our Video Motion Graphs outperforms existing generative- and retrieval-based methods for multi-modal conditioned human motion video generation. Project page can be found at https://h-liu1997.github.io/Video-Motion-Graphs/
Handling complex or nonlinear motion patterns has long posed challenges for video frame interpolation. Although recent advances in diffusion-based methods offer improvements over traditional optical flow-based approaches, they still struggle to generate sharp, temporally consistent frames in scenarios with large motion. To address this limitation, we introduce EDEN, an Enhanced Diffusion for high-quality large-motion vidEo frame iNterpolation. Our approach first utilizes a transformer-based tokenizer to produce refined latent representations of the intermediate frames for diffusion models. We then enhance the diffusion transformer with temporal attention across the process and incorporate a start-end frame difference embedding to guide the generation of dynamic motion. Extensive experiments demonstrate that EDEN achieves state-of-the-art results across popular benchmarks, including nearly a 10% LPIPS reduction on DAVIS and SNU-FILM, and an 8% improvement on DAIN-HD.
Video Frame Interpolation (VFI) aims to generate intermediate video frames between consecutive input frames. Since the event cameras are bio-inspired sensors that only encode brightness changes with a micro-second temporal resolution, several works utilized the event camera to enhance the performance of VFI. However, existing methods estimate bidirectional inter-frame motion fields with only events or approximations, which can not consider the complex motion in real-world scenarios. In this paper, we propose a novel event-based VFI framework with cross-modal asymmetric bidirectional motion field estimation. In detail, our EIF-BiOFNet utilizes each valuable characteristic of the events and images for direct estimation of inter-frame motion fields without any approximation methods. Moreover, we develop an interactive attention-based frame synthesis network to efficiently leverage the complementary warping-based and synthesis-based features. Finally, we build a large-scale event-based VFI dataset, ERF-X170FPS, with a high frame rate, extreme motion, and dynamic textures to overcome the limitations of previous event-based VFI datasets. Extensive experimental results validate that our method shows significant performance improvement over the state-of-the-art VFI methods on various datasets. Our project pages are available at: https://github.com/intelpro/CBMNet
This paper proposes a novel framework for real-time adaptive-bitrate video streaming by integrating latent diffusion models (LDMs) within the FFmpeg techniques. This solution addresses the challenges of high bandwidth usage, storage inefficiencies, and quality of experience (QoE) degradation associated with traditional constant bitrate streaming (CBS) and adaptive bitrate streaming (ABS). The proposed approach leverages LDMs to compress I-frames into a latent space, offering significant storage and semantic transmission savings without sacrificing high visual quality. While it keeps B-frames and P-frames as adjustment metadata to ensure efficient video reconstruction at the user side, the proposed framework is complemented with the most state-of-the-art denoising and video frame interpolation (VFI) techniques. These techniques mitigate semantic ambiguity and restore temporal coherence between frames, even in noisy wireless communication environments. Experimental results demonstrate the proposed method achieves high-quality video streaming with optimized bandwidth usage, outperforming state-of-the-art solutions in terms of QoE and resource efficiency. This work opens new possibilities for scalable real-time video streaming in 5G and future post-5G networks.
This paper investigates a novel generative artificial intelligence (GAI) empowered multi-user semantic communication system called semantic feature multiple access (SFMA) for video transmission, which comprises a base station (BS) and paired users. The BS generates and combines semantic information of several frames simultaneously requested by paired users into a single signal. Users recover their frames from this combined signal and input the recovered frames into a GAI-based video frame interpolation model to generate the intermediate frame. To optimize transmission rates and temporal gaps between simultaneously transmitted frames, we formulate an optimization problem to maximize the system sum rate while minimizing temporal gaps. Since the standard signal-to-interference-plus-noise ratio (SINR) equation does not accurately capture the performance of our semantic communication system, we introduce a weight parameter into the SINR equation to better represent the system's performance. Due to its dependence on transmit power, we propose a three-step solution. First, we develop a user pairing algorithm that pairs two users with the highest preference value, a weighted combination of semantic transmission rate and temporal gap. Second, we optimize inter-group power allocation by formulating an optimization problem that allocates proper transmit power across all user groups to maximize system sum rates while satisfying each user's minimum rate requirement. Third, we address intra-group power allocation to enhance each user's performance. Simulation results demonstrate that our method improves transmission rates by up to 24.8%, 45.8%, and 66.1% compared to fixed-power non-orthogonal multiple access (F-NOMA), orthogonal joint source-channel coding (O-JSCC), and orthogonal frequency division multiple access (OFDMA), respectively.
With the development of video generation models has advanced significantly in recent years, we adopt large-scale image-to-video diffusion models for video frame interpolation. We present a conditional encoder designed to adapt an image-to-video model for large-motion frame interpolation. To enhance performance, we integrate a dual-branch feature extractor and propose a cross-frame attention mechanism that effectively captures both spatial and temporal information, enabling accurate interpolations of intermediate frames. Our approach demonstrates superior performance on the Fr\'echet Video Distance (FVD) metric when evaluated against other state-of-the-art approaches, particularly in handling large motion scenarios, highlighting advancements in generative-based methodologies.
The rapid and accurate direct multi-frame interpolation method for Digital Subtraction Angiography (DSA) images is crucial for reducing radiation and providing real-time assistance to physicians for precise diagnostics and treatment. DSA images contain complex vascular structures and various motions. Applying natural scene Video Frame Interpolation (VFI) methods results in motion artifacts, structural dissipation, and blurriness. Recently, MoSt-DSA has specifically addressed these issues for the first time and achieved SOTA results. However, MoSt-DSA's focus on real-time performance leads to insufficient suppression of high-frequency noise and incomplete filtering of low-frequency noise in the generated images. To address these issues within the same computational time scale, we propose GaraMoSt. Specifically, we optimize the network pipeline with a parallel design and propose a module named MG-MSFE. MG-MSFE extracts frame-relative motion and structural features at various granularities in a fully convolutional parallel manner and supports independent, flexible adjustment of context-aware granularity at different scales, thus enhancing computational efficiency and accuracy. Extensive experiments demonstrate that GaraMoSt achieves the SOTA performance in accuracy, robustness, visual effects, and noise suppression, comprehensively surpassing MoSt-DSA and other natural scene VFI methods. The code and models are available at https://github.com/ZyoungXu/GaraMoSt.
Existing Video Frame interpolation (VFI) models tend to suffer from time-to-location ambiguity when trained with video of non-uniform motions, such as accelerating, decelerating, and changing directions, which often yield blurred interpolated frames. In this paper, we propose (i) a novel motion description map, Bidirectional Motion field (BiM), to effectively describe non-uniform motions; (ii) a BiM-guided Flow Net (BiMFN) with Content-Aware Upsampling Network (CAUN) for precise optical flow estimation; and (iii) Knowledge Distillation for VFI-centric Flow supervision (KDVCF) to supervise the motion estimation of VFI model with VFI-centric teacher flows. The proposed VFI is called a Bidirectional Motion field-guided VFI (BiM-VFI) model. Extensive experiments show that our BiM-VFI model significantly surpasses the recent state-of-the-art VFI methods by 26% and 45% improvements in LPIPS and STLPIPS respectively, yielding interpolated frames with much fewer blurs at arbitrary time instances.
Video Frame Interpolation aims to recover realistic missing frames between observed frames, generating a high-frame-rate video from a low-frame-rate video. However, without additional guidance, the large motion between frames makes this problem ill-posed. Event-based Video Frame Interpolation (EVFI) addresses this challenge by using sparse, high-temporal-resolution event measurements as motion guidance. This guidance allows EVFI methods to significantly outperform frame-only methods. However, to date, EVFI methods have relied on a limited set of paired event-frame training data, severely limiting their performance and generalization capabilities. In this work, we overcome the limited data challenge by adapting pre-trained video diffusion models trained on internet-scale datasets to EVFI. We experimentally validate our approach on real-world EVFI datasets, including a new one that we introduce. Our method outperforms existing methods and generalizes across cameras far better than existing approaches.
Standard 3D Gaussian Splatting (3DGS) relies on known or pre-computed camera poses and a sparse point cloud, obtained from structure-from-motion (SfM) preprocessing, to initialize and grow 3D Gaussians. We propose a novel SfM-Free 3DGS (SFGS) method for video input, eliminating the need for known camera poses and SfM preprocessing. Our approach introduces a hierarchical training strategy that trains and merges multiple 3D Gaussian representations -- each optimized for specific scene regions -- into a single, unified 3DGS model representing the entire scene. To compensate for large camera motions, we leverage video frame interpolation models. Additionally, we incorporate multi-source supervision to reduce overfitting and enhance representation. Experimental results reveal that our approach significantly surpasses state-of-the-art SfM-free novel view synthesis methods. On the Tanks and Temples dataset, we improve PSNR by an average of 2.25dB, with a maximum gain of 3.72dB in the best scene. On the CO3D-V2 dataset, we achieve an average PSNR boost of 1.74dB, with a top gain of 3.90dB. The code is available at https://github.com/jibo27/3DGS_Hierarchical_Training.
Despite the recent progress, existing frame interpolation methods still struggle with processing extremely high resolution input and handling challenging cases such as repetitive textures, thin objects, and large motion. To address these issues, we introduce a patch-based cascaded pixel diffusion model for high resolution frame interpolation, HIFI, that excels in these scenarios while achieving competitive performance on standard benchmarks. Cascades, which generate a series of images from low to high resolution, can help significantly with large or complex motion that require both global context for a coarse solution and detailed context for high resolution output. However, contrary to prior work on cascaded diffusion models which perform diffusion on increasingly large resolutions, we use a single model that always performs diffusion at the same resolution and upsamples by processing patches of the inputs and the prior solution. At inference time, this drastically reduces memory usage and allows a single model, solving both frame interpolation (base model's task) and spatial up-sampling, saving training cost as well. HIFI excels at high-resolution images and complex repeated textures that require global context, achieving comparable or state-of-the-art performance on various benchmarks (Vimeo, Xiph, X-Test, and SEPE-8K). We further introduce a new dataset, LaMoR, that focuses on particularly challenging cases, and HIFI significantly outperforms other baselines. Please visit our project page for video results: https://hifi-diffusion.github.io
The advent of AI has influenced many aspects of human life, from self-driving cars and intelligent chatbots to text-based image and video generation models capable of creating realistic images and videos based on user prompts (text-to-image, image-to-image, and image-to-video). AI-based methods for image and video super resolution, video frame interpolation, denoising, and compression have already gathered significant attention and interest in the industry and some solutions are already being implemented in real-world products and services. However, to achieve widespread integration and acceptance, AI-generated and enhanced content must be visually accurate, adhere to intended use, and maintain high visual quality to avoid degrading the end user's quality of experience (QoE). One way to monitor and control the visual "quality" of AI-generated and -enhanced content is by deploying Image Quality Assessment (IQA) and Video Quality Assessment (VQA) models. However, most existing IQA and VQA models measure visual fidelity in terms of "reconstruction" quality against a pristine reference content and were not designed to assess the quality of "generative" artifacts. To address this, newer metrics and models have recently been proposed, but their performance evaluation and overall efficacy have been limited by datasets that were too small or otherwise lack representative content and/or distortion capacity; and by performance measures that can accurately report the success of an IQA/VQA model for "GenAI". This paper examines the current shortcomings and possibilities presented by AI-generated and enhanced image and video content, with a particular focus on end-user perceived quality. Finally, we discuss open questions and make recommendations for future work on the "GenAI" quality assessment problems, towards further progressing on this interesting and relevant field of research.