We summarize full-length movies by creating shorter videos containing their most informative scenes. We explore the hypothesis that a summary can be created by assembling scenes which are turning points (TPs), i.e., key events in a movie that describe its storyline. We propose a model that identifies TP scenes by building a sparse movie graph that represents relations between scenes and is constructed using multimodal information. According to human judges, the summaries created by our approach are more informative and complete, and receive higher ratings, than the outputs of sequence-based models and general-purpose summarization algorithms. The induced graphs are interpretable, displaying different topology for different movie genres.
Most general-purpose extractive summarization models are trained on news articles, which are short and present all important information upfront. As a result, such models are biased on position and often perform a smart selection of sentences from the beginning of the document. When summarizing long narratives, which have complex structure and present information piecemeal, simple position heuristics are not sufficient. In this paper, we propose to explicitly incorporate the underlying structure of narratives into general unsupervised and supervised extractive summarization models. We formalize narrative structure in terms of key narrative events (turning points) and treat it as latent in order to summarize screenplays (i.e., extract an optimal sequence of scenes). Experimental results on the CSI corpus of TV screenplays, which we augment with scene-level summarization labels, show that latent turning points correlate with important aspects of a CSI episode and improve summarization performance over general extractive algorithms leading to more complete and diverse summaries.
According to screenwriting theory, turning points (e.g., change of plans, major setback, climax) are crucial narrative moments within a screenplay: they define the plot structure, determine its progression and segment the screenplay into thematic units (e.g., setup, complications, aftermath). We propose the task of turning point identification in movies as a means of analyzing their narrative structure. We argue that turning points and the segmentation they provide can facilitate processing long, complex narratives, such as screenplays, for summarization and question answering. We introduce a dataset consisting of screenplays and plot synopses annotated with turning points and present an end-to-end neural network model that identifies turning points in plot synopses and projects them onto scenes in screenplays. Our model outperforms strong baselines based on state-of-the-art sentence representations and the expected position of turning points.