Singing voice synthesis (SVS) aims to generate expressive and high-quality vocals from musical scores, requiring precise modeling of pitch, duration, and articulation. While diffusion-based models have achieved remarkable success in image and video generation, their application to SVS remains challenging due to the complex acoustic and musical characteristics of singing, often resulting in artifacts that degrade naturalness. In this work, we propose SmoothSinger, a conditional diffusion model designed to synthesize high quality and natural singing voices. Unlike prior methods that depend on vocoders as a final stage and often introduce distortion, SmoothSinger refines low-quality synthesized audio directly in a unified framework, mitigating the degradation associated with two-stage pipelines. The model adopts a reference-guided dual-branch architecture, using low-quality audio from any baseline system as a reference to guide the denoising process, enabling more expressive and context-aware synthesis. Furthermore, it enhances the conventional U-Net with a parallel low-frequency upsampling path, allowing the model to better capture pitch contours and long term spectral dependencies. To improve alignment during training, we replace reference audio with degraded ground truth audio, addressing temporal mismatch between reference and target signals. Experiments on the Opencpop dataset, a large-scale Chinese singing corpus, demonstrate that SmoothSinger achieves state-of-the-art results in both objective and subjective evaluations. Extensive ablation studies confirm its effectiveness in reducing artifacts and improving the naturalness of synthesized voices.
We present Sleeping-DISCO 9M, a large-scale pre-training dataset for music and song. To the best of our knowledge, there are no open-source high-quality dataset representing popular and well-known songs for generative music modeling tasks such as text-music, music-captioning, singing-voice synthesis, melody reconstruction and cross-model retrieval. Past contributions focused on isolated and constrained factors whose core perspective was to create synthetic or re-recorded music corpus (e.g. GTSinger, M4Singer) and arbitrarily large-scale audio datasets (e.g. DISCO-10M and LAIONDISCO-12M) had been another focus for the community. Unfortunately, adoption of these datasets has been below substantial in the generative music community as these datasets fail to reflect real-world music and its flavour. Our dataset changes this narrative and provides a dataset that is constructed using actual popular music and world-renowned artists.
Customizable multilingual zero-shot singing voice synthesis (SVS) has various potential applications in music composition and short video dubbing. However, existing SVS models overly depend on phoneme and note boundary annotations, limiting their robustness in zero-shot scenarios and producing poor transitions between phonemes and notes. Moreover, they also lack effective multi-level style control via diverse prompts. To overcome these challenges, we introduce TCSinger 2, a multi-task multilingual zero-shot SVS model with style transfer and style control based on various prompts. TCSinger 2 mainly includes three key modules: 1) Blurred Boundary Content (BBC) Encoder, predicts duration, extends content embedding, and applies masking to the boundaries to enable smooth transitions. 2) Custom Audio Encoder, uses contrastive learning to extract aligned representations from singing, speech, and textual prompts. 3) Flow-based Custom Transformer, leverages Cus-MOE, with F0 supervision, enhancing both the synthesis quality and style modeling of the generated singing voice. Experimental results show that TCSinger 2 outperforms baseline models in both subjective and objective metrics across multiple related tasks. Singing voice samples are available at https://aaronz345.github.io/TCSinger2Demo/.
Singing Voice Synthesis (SVS) aims to generate singing voices of high fidelity and expressiveness. Conventional SVS systems usually utilize an acoustic model to transform a music score into acoustic features, followed by a vocoder to reconstruct the singing voice. It was recently shown that end-to-end modeling is effective in the fields of SVS and Text to Speech (TTS). In this work, we thus present a fully end-to-end SVS method together with a chunkwise streaming inference to address the latency issue for practical usages. Note that this is the first attempt to fully implement end-to-end streaming audio synthesis using latent representations in VAE. We have made specific improvements to enhance the performance of streaming SVS using latent representations. Experimental results demonstrate that the proposed method achieves synthesized audio with high expressiveness and pitch accuracy in both streaming SVS and TTS tasks.
Singing voice synthesis (SVS) aims to produce high-fidelity singing audio from music scores, requiring a detailed understanding of notes, pitch, and duration, unlike text-to-speech tasks. Although diffusion models have shown exceptional performance in various generative tasks like image and video creation, their application in SVS is hindered by time complexity and the challenge of capturing acoustic features, particularly during pitch transitions. Some networks learn from the prior distribution and use the compressed latent state as a better start in the diffusion model, but the denoising step doesn't consistently improve quality over the entire duration. We introduce RDSinger, a reference-based denoising diffusion network that generates high-quality audio for SVS tasks. Our approach is inspired by Animate Anyone, a diffusion image network that maintains intricate appearance features from reference images. RDSinger utilizes FastSpeech2 mel-spectrogram as a reference to mitigate denoising step artifacts. Additionally, existing models could be influenced by misleading information on the compressed latent state during pitch transitions. We address this issue by applying Gaussian blur on partial reference mel-spectrogram and adjusting loss weights in these regions. Extensive ablation studies demonstrate the efficiency of our method. Evaluations on OpenCpop, a Chinese singing dataset, show that RDSinger outperforms current state-of-the-art SVS methods in performance.
Singing voice synthesis (SVS) system is expected to generate high-fidelity singing voice from given music scores (lyrics, duration and pitch). Recently, diffusion models have performed well in this field. However, sacrificing inference speed to exchange with high-quality sample generation limits its application scenarios. In order to obtain high quality synthetic singing voice more efficiently, we propose a singing voice synthesis method based on the consistency model, ConSinger, to achieve high-fidelity singing voice synthesis with minimal steps. The model is trained by applying consistency constraint and the generation quality is greatly improved at the expense of a small amount of inference speed. Our experiments show that ConSinger is highly competitive with the baseline model in terms of generation speed and quality. Audio samples are available at https://keylxiao.github.io/consinger.
This paper presents an advanced end-to-end singing voice synthesis (SVS) system based on the source-filter mechanism that directly translates lyrical and melodic cues into expressive and high-fidelity human-like singing. Similarly to VISinger 2, the proposed system also utilizes training paradigms evolved from VITS and incorporates elements like the fundamental pitch (F0) predictor and waveform generation decoder. To address the issue that the coupling of mel-spectrogram features with F0 information may introduce errors during F0 prediction, we consider two strategies. Firstly, we leverage mel-cepstrum (mcep) features to decouple the intertwined mel-spectrogram and F0 characteristics. Secondly, inspired by the neural source-filter models, we introduce source excitation signals as the representation of F0 in the SVS system, aiming to capture pitch nuances more accurately. Meanwhile, differentiable mcep and F0 losses are employed as the waveform decoder supervision to fortify the prediction accuracy of speech envelope and pitch in the generated speech. Experiments on the Opencpop dataset demonstrate efficacy of the proposed model in synthesis quality and intonation accuracy.
Zero-shot singing voice synthesis (SVS) with style transfer and style control aims to generate high-quality singing voices with unseen timbres and styles (including singing method, emotion, rhythm, technique, and pronunciation) from audio and text prompts. However, the multifaceted nature of singing styles poses a significant challenge for effective modeling, transfer, and control. Furthermore, current SVS models often fail to generate singing voices rich in stylistic nuances for unseen singers. To address these challenges, we introduce TCSinger, the first zero-shot SVS model for style transfer across cross-lingual speech and singing styles, along with multi-level style control. Specifically, TCSinger proposes three primary modules: 1) the clustering style encoder employs a clustering vector quantization model to stably condense style information into a compact latent space; 2) the Style and Duration Language Model (S\&D-LM) concurrently predicts style information and phoneme duration, which benefits both; 3) the style adaptive decoder uses a novel mel-style adaptive normalization method to generate singing voices with enhanced details. Experimental results show that TCSinger outperforms all baseline models in synthesis quality, singer similarity, and style controllability across various tasks, including zero-shot style transfer, multi-level style control, cross-lingual style transfer, and speech-to-singing style transfer. Singing voice samples can be accessed at https://aaronz345.github.io/TCSingerDemo/.
The scarcity of high-quality and multi-task singing datasets significantly hinders the development of diverse controllable and personalized singing tasks, as existing singing datasets suffer from low quality, limited diversity of languages and singers, absence of multi-technique information and realistic music scores, and poor task suitability. To tackle these problems, we present GTSinger, a large global, multi-technique, free-to-use, high-quality singing corpus with realistic music scores, designed for all singing tasks, along with its benchmarks. Particularly, (1) we collect 80.59 hours of high-quality singing voices, forming the largest recorded singing dataset; (2) 20 professional singers across nine widely spoken languages offer diverse timbres and styles; (3) we provide controlled comparison and phoneme-level annotations of six commonly used singing techniques, helping technique modeling and control; (4) GTSinger offers realistic music scores, assisting real-world musical composition; (5) singing voices are accompanied by manual phoneme-to-audio alignments, global style labels, and 16.16 hours of paired speech for various singing tasks. Moreover, to facilitate the use of GTSinger, we conduct four benchmark experiments: technique-controllable singing voice synthesis, technique recognition, style transfer, and speech-to-singing conversion. The corpus and demos can be found at http://aaronz345.github.io/GTSingerDemo/. We provide the dataset and the code for processing data and conducting benchmarks at https://huggingface.co/datasets/AaronZ345/GTSinger and https://github.com/AaronZ345/GTSinger.
We propose a singing voice synthesis (SVS) method for a more unified ensemble singing voice by modeling interactions between singers. Most existing SVS methods aim to synthesize a solo voice, and do not consider interactions between singers, i.e., adjusting one's own voice to the others' voices. Since the production of ensemble voices from solo singing voices ignores the interactions, it can degrade the unity of the vocal ensemble. Therefore, we propose a SVS that reproduces the interactions. It is based on an architecture that uses musical scores of multiple voice parts, and loss functions that simulate the interactions' effect to acoustic features. Experimental results show that our methods improve the unity of the vocal ensemble.
Singing voices contain much richer information than common voices, such as diverse vocal and acoustic characteristics. However, existing open-source audio-text datasets for singing voices capture only a limited set of attributes and lacks acoustic features, leading to limited utility towards downstream tasks, such as style captioning. To fill this gap, we formally consider the task of singing style captioning and introduce S2Cap, a singing voice dataset with comprehensive descriptions of diverse vocal, acoustic and demographic attributes. Based on this dataset, we develop a simple yet effective baseline algorithm for the singing style captioning. The algorithm utilizes two novel technical components: CRESCENDO for mitigating misalignment between pretrained unimodal models, and demixing supervision to regularize the model to focus on the singing voice. Despite its simplicity, the proposed method outperforms state-of-the-art baselines.
With the advancements in singing voice generation and the growing presence of AI singers on media platforms, the inaugural Singing Voice Deepfake Detection (SVDD) Challenge aims to advance research in identifying AI-generated singing voices from authentic singers. This challenge features two tracks: a controlled setting track (CtrSVDD) and an in-the-wild scenario track (WildSVDD). The CtrSVDD track utilizes publicly available singing vocal data to generate deepfakes using state-of-the-art singing voice synthesis and conversion systems. Meanwhile, the WildSVDD track expands upon the existing SingFake dataset, which includes data sourced from popular user-generated content websites. For the CtrSVDD track, we received submissions from 47 teams, with 37 surpassing our baselines and the top team achieving a 1.65% equal error rate. For the WildSVDD track, we benchmarked the baselines. This paper reviews these results, discusses key findings, and outlines future directions for SVDD research.
The speech domain prevails in the spotlight for several natural language processing (NLP) tasks while the singing domain remains less explored. The culmination of NLP is the speech-to-speech translation (S2ST) task, referring to translation and synthesis of human speech. A disparity between S2ST and the possible adaptation to the singing domain, which we describe as singing-voice to singing-voice translation (SV2SVT), is becoming prominent as the former is progressing ever faster, while the latter is at a standstill. Singing-voice synthesis systems are overcoming the barrier of multi-lingual synthesis, despite limited attention has been paid to multi-lingual songwriting and song translation. This paper endeavors to determine what is required for successful SV2SVT and proposes PolySinger (\textbf{Poly}glot \textbf{Singer}): the first system for SV2SVT, performing lyrics translation from English to Japanese. A cascaded approach is proposed to establish a framework with a high degree of control which can potentially diminish the disparity between SV2SVT and S2ST. The performance of PolySinger is evaluated by a mean opinion score test with native Japanese speakers. Results and in-depth discussions with test subjects suggest a solid foundation for SV2SVT, but several shortcomings must be overcome, which are discussed for the future of SV2SVT.
Text-to-song (TTSong) is a music generation task that synthesizes accompanied singing voices. Current TTSong methods, inherited from singing voice synthesis (SVS), require melody-related information that can sometimes be impractical, such as music scores or MIDI sequences. We present MelodyLM, the first TTSong model that generates high-quality song pieces with fully text-controlled melodies, achieving minimal user requirements and maximum control flexibility. MelodyLM explicitly models MIDI as the intermediate melody-related feature and sequentially generates vocal tracks in a language model manner, conditioned on textual and vocal prompts. The accompaniment music is subsequently synthesized by a latent diffusion model with hybrid conditioning for temporal alignment. With minimal requirements, users only need to input lyrics and a reference voice to synthesize a song sample. For full control, just input textual prompts or even directly input MIDI. Experimental results indicate that MelodyLM achieves superior performance in terms of both objective and subjective metrics. Audio samples are available at https://melodylm666.github.io.
In this paper, we present Period Singer, a novel end-to-end singing voice synthesis (SVS) model that utilizes variational inference for periodic and aperiodic components, aimed at producing natural-sounding waveforms. Recent end-to-end SVS models have demonstrated the capability of synthesizing high-fidelity singing voices. However, owing to deterministic pitch conditioning, they do not fully address the one-to-many problem. To address this problem, we present the Period Singer architecture, which integrates variational autoencoders for the periodic and aperiodic components. Additionally, our methodology eliminates the dependency on an external aligner by estimating the phoneme alignment through a monotonic alignment search within note boundaries. Our empirical evaluations show that Period Singer outperforms existing end-to-end SVS models on Mandarin and Korean datasets. The efficacy of the proposed method was further corroborated by ablation studies.
In this paper, we propose MakeSinger, a semi-supervised training method for singing voice synthesis (SVS) via classifier-free diffusion guidance. The challenge in SVS lies in the costly process of gathering aligned sets of text, pitch, and audio data. MakeSinger enables the training of the diffusion-based SVS model from any speech and singing voice data regardless of its labeling, thereby enhancing the quality of generated voices with large amount of unlabeled data. At inference, our novel dual guiding mechanism gives text and pitch guidance on the reverse diffusion step by estimating the score of masked input. Experimental results show that the model trained in a semi-supervised manner outperforms other baselines trained only on the labeled data in terms of pronunciation, pitch accuracy and overall quality. Furthermore, we demonstrate that by adding Text-to-Speech (TTS) data in training, the model can synthesize the singing voices of TTS speakers even without their singing voices.
Recent singing voice synthesis and conversion advancements necessitate robust singing voice deepfake detection (SVDD) models. Current SVDD datasets face challenges due to limited controllability, diversity in deepfake methods, and licensing restrictions. Addressing these gaps, we introduce CtrSVDD, a large-scale, diverse collection of bonafide and deepfake singing vocals. These vocals are synthesized using state-of-the-art methods from publicly accessible singing voice datasets. CtrSVDD includes 47.64 hours of bonafide and 260.34 hours of deepfake singing vocals, spanning 14 deepfake methods and involving 164 singer identities. We also present a baseline system with flexible front-end features, evaluated against a structured train/dev/eval split. The experiments show the importance of feature selection and highlight a need for generalization towards deepfake methods that deviate further from training distribution. The CtrSVDD dataset and baselines are publicly accessible.
Speech-to-singing voice conversion (STS) task always suffers from data scarcity, because it requires paired speech and singing data. Compounding this issue are the challenges of content-pitch alignment and the suboptimal quality of generated outputs, presenting significant hurdles in STS research. This paper presents SVPT, an STS approach boosted by a self-supervised singing voice pre-training model. We leverage spoken language model techniques to tackle the rhythm alignment problem and the in-context learning capability to achieve zero-shot conversion. We adopt discrete-unit random resampling and pitch corruption strategies, enabling training with unpaired singing data and thus mitigating the issue of data scarcity. SVPT also serves as an effective backbone for singing voice synthesis (SVS), offering insights into scaling up SVS models. Experimental results indicate that SVPT delivers notable improvements in both STS and SVS endeavors. Audio samples are available at https://speech2sing.github.io.
Note-level Automatic Singing Voice Transcription (AST) converts singing recordings into note sequences, facilitating the automatic annotation of singing datasets for Singing Voice Synthesis (SVS) applications. Current AST methods, however, struggle with accuracy and robustness when used for practical annotation. This paper presents ROSVOT, the first robust AST model that serves SVS, incorporating a multi-scale framework that effectively captures coarse-grained note information and ensures fine-grained frame-level segmentation, coupled with an attention-based pitch decoder for reliable pitch prediction. We also established a comprehensive annotation-and-training pipeline for SVS to test the model in real-world settings. Experimental findings reveal that ROSVOT achieves state-of-the-art transcription accuracy with either clean or noisy inputs. Moreover, when trained on enlarged, automatically annotated datasets, the SVS model outperforms its baseline, affirming the capability for practical application. Audio samples are available at https://rosvot.github.io.
A song is a combination of singing voice and accompaniment. However, existing works focus on singing voice synthesis and music generation independently. Little attention was paid to explore song synthesis. In this work, we propose a novel task called text-to-song synthesis which incorporating both vocals and accompaniments generation. We develop Melodist, a two-stage text-to-song method that consists of singing voice synthesis (SVS) and vocal-to-accompaniment (V2A) synthesis. Melodist leverages tri-tower contrastive pretraining to learn more effective text representation for controllable V2A synthesis. A Chinese song dataset mined from a music website is built up to alleviate data scarcity for our research. The evaluation results on our dataset demonstrate that Melodist can synthesize songs with comparable quality and style consistency. Audio samples can be found in https://text2songMelodist.github.io/Sample/.