Artistic style includes both structural and appearance elements. Existing neural stylization techniques primarily focus on transferring appearance features such as color and texture, often neglecting the equally crucial aspect of structural stylization. In this paper, we present a comprehensive study on the simultaneous stylization of structure and appearance of 2D images. Specifically, we introduce DiffArtist, which, to the best of our knowledge, is the first stylization method to allow for dual controllability over structure and appearance. Our key insight is to represent structure and appearance as separate diffusion processes to achieve complete disentanglement without requiring any training, thereby endowing users with unprecedented controllability for both components. The evaluation of stylization of both appearance and structure, however, remains challenging as it necessitates semantic understanding. To this end, we further propose a Multimodal LLM-based style evaluator, which better aligns with human preferences than metrics lacking semantic understanding. With this powerful evaluator, we conduct extensive analysis, demonstrating that DiffArtist achieves superior style fidelity, editability, and structure-appearance disentanglement. These merits make DiffArtist a highly versatile solution for creative applications. Project homepage: https://github.com/songrise/Artist.
Style transfer is a promising approach to close the sim-to-real gap in medical endoscopy. Rendering synthetic endoscopic videos by traversing pre-operative scans (such as MRI or CT) can generate structurally accurate simulations as well as ground truth camera poses and depth maps. Although image-to-image (I2I) translation models such as CycleGAN can imitate realistic endoscopic images from these simulations, they are unsuitable for video-to-video synthesis due to the lack of temporal consistency, resulting in artifacts between frames. We propose MeshBrush, a neural mesh stylization method to synthesize temporally consistent videos with differentiable rendering. MeshBrush uses the underlying geometry of patient imaging data while leveraging existing I2I methods. With learned per-vertex textures, the stylized mesh guarantees consistency while producing high-fidelity outputs. We demonstrate that mesh stylization is a promising approach for creating realistic simulations for downstream tasks such as training networks and preoperative planning. Although our method is tested and designed for ureteroscopy, its components are transferable to general endoscopic and laparoscopic procedures. The code will be made public on GitHub.
3D stylization, the application of specific styles to three-dimensional objects, offers substantial commercial potential by enabling the creation of uniquely styled 3D objects tailored to diverse scenes. Recent advancements in artificial intelligence and text-driven manipulation methods have made the stylization process increasingly intuitive and automated. While these methods reduce human costs by minimizing reliance on manual labor and expertise, they predominantly focus on holistic stylization, neglecting the application of desired styles to individual components of a 3D object. This limitation restricts the fine-grained controllability. To address this gap, we introduce 3DStyleGLIP, a novel framework specifically designed for text-driven, part-tailored 3D stylization. Given a 3D mesh and a text prompt, 3DStyleGLIP utilizes the vision-language embedding space of the Grounded Language-Image Pre-training (GLIP) model to localize individual parts of the 3D mesh and modify their appearance to match the styles specified in the text prompt. 3DStyleGLIP effectively integrates part localization and stylization guidance within GLIP's shared embedding space through an end-to-end process, enabled by part-level style loss and two complementary learning techniques. This neural methodology meets the user's need for fine-grained style editing and delivers high-quality part-specific stylization results, opening new possibilities for customization and flexibility in 3D content creation. Our code and results are available at https://github.com/sj978/3DStyleGLIP.
Modern artificial intelligence offers a novel and transformative approach to creating digital art across diverse styles and modalities like images, videos and 3D data, unleashing the power of creativity and revolutionizing the way that we perceive and interact with visual content. This paper reports on recent advances in stylized 3D asset creation and manipulation with the expressive power of neural networks. We establish a taxonomy for neural stylization, considering crucial design choices such as scene representation, guidance data, optimization strategies, and output styles. Building on such taxonomy, our survey first revisits the background of neural stylization on 2D images, and then presents in-depth discussions on recent neural stylization methods for 3D data, accompanied by a benchmark evaluating selected mesh and neural field stylization methods. Based on the insights gained from the survey, we highlight the practical significance, open challenges, future research, and potential impacts of neural stylization, which facilitates researchers and practitioners to navigate the rapidly evolving landscape of 3D content creation using modern artificial intelligence.
Representing visual signals by implicit representation (e.g., a coordinate based deep network) has prevailed among many vision tasks. This work explores a new intriguing direction: training a stylized implicit representation, using a generalized approach that can apply to various 2D and 3D scenarios. We conduct a pilot study on a variety of implicit functions, including 2D coordinate-based representation, neural radiance field, and signed distance function. Our solution is a Unified Implicit Neural Stylization framework, dubbed INS. In contrary to vanilla implicit representation, INS decouples the ordinary implicit function into a style implicit module and a content implicit module, in order to separately encode the representations from the style image and input scenes. An amalgamation module is then applied to aggregate these information and synthesize the stylized output. To regularize the geometry in 3D scenes, we propose a novel self-distillation geometry consistency loss which preserves the geometry fidelity of the stylized scenes. Comprehensive experiments are conducted on multiple task settings, including novel view synthesis of complex scenes, stylization for implicit surfaces, and fitting images using MLPs. We further demonstrate that the learned representation is continuous not only spatially but also style-wise, leading to effortlessly interpolating between different styles and generating images with new mixed styles. Please refer to the video on our project page for more view synthesis results: https://zhiwenfan.github.io/INS.
In this work, we develop intuitive controls for editing the style of 3D objects. Our framework, Text2Mesh, stylizes a 3D mesh by predicting color and local geometric details which conform to a target text prompt. We consider a disentangled representation of a 3D object using a fixed mesh input (content) coupled with a learned neural network, which we term neural style field network. In order to modify style, we obtain a similarity score between a text prompt (describing style) and a stylized mesh by harnessing the representational power of CLIP. Text2Mesh requires neither a pre-trained generative model nor a specialized 3D mesh dataset. It can handle low-quality meshes (non-manifold, boundaries, etc.) with arbitrary genus, and does not require UV parameterization. We demonstrate the ability of our technique to synthesize a myriad of styles over a wide variety of 3D meshes.