Recent works of music representation learning mainly focus on learning acoustic music representations with unlabeled audios or further attempt to acquire multi-modal music representations with scarce annotated audio-text pairs. They either ignore the language semantics or rely on labeled audio datasets that are difficult and expensive to create. Moreover, merely modeling semantic space usually fails to achieve satisfactory performance on music recommendation tasks since the user preference space is ignored. In this paper, we propose a novel Hierarchical Two-stage Contrastive Learning (HTCL) method that models similarity from the semantic perspective to the user perspective hierarchically to learn a comprehensive music representation bridging the gap between semantic and user preference spaces. We devise a scalable audio encoder and leverage a pre-trained BERT model as the text encoder to learn audio-text semantics via large-scale contrastive pre-training. Further, we explore a simple yet effective way to exploit interaction data from our online music platform to adapt the semantic space to user preference space via contrastive fine-tuning, which differs from previous works that follow the idea of collaborative filtering. As a result, we obtain a powerful audio encoder that not only distills language semantics from the text encoder but also models similarity in user preference space with the integrity of semantic space preserved. Experimental results on both music semantic and recommendation tasks confirm the effectiveness of our method.
In recent years, graphs have gained prominence across various domains, especially in recommendation systems. Within the realm of music recommendation, graphs play a crucial role in enhancing genre-based recommendations by integrating Mel-Frequency Cepstral Coefficients (MFCC) with advanced graph embeddings. This study explores the efficacy of Graph Convolutional Networks (GCN), GraphSAGE, and Graph Transformer (GT) models in learning embeddings that effectively capture intricate relationships between music items and genres represented within graph structures. Through comprehensive empirical evaluations on diverse real-world music datasets, our findings consistently demonstrate that these graph-based approaches outperform traditional methods that rely solely on MFCC features or collaborative filtering techniques. Specifically, the graph-enhanced models achieve notably higher accuracy in predicting genre-specific preferences and offering relevant music suggestions to users. These results underscore the effectiveness of utilizing graph embeddings to enrich feature representations and exploit latent associations within music data, thereby illustrating their potential to advance the capabilities of personalized and context-aware music recommendation systems. Keywords: graphs, recommendation systems, neural networks, MFCC
In recent years, Large Language Models (LLMs) have enabled users to provide highly specific music recommendation requests using natural language prompts (e.g. "Can you recommend some old classics for slow dancing?"). In this setup, the recommended tracks are predicted by the LLM in an autoregressive way, i.e. the LLM generates the track titles one token at a time. While intuitive, this approach has several limitation. First, it is based on a general purpose tokenization that is optimized for words rather than for track titles. Second, it necessitates an additional entity resolution layer that matches the track title to the actual track identifier. Third, the number of decoding steps scales linearly with the length of the track title, slowing down inference. In this paper, we propose to address the task of prompt-based music recommendation as a generative retrieval task. Within this setting, we introduce novel, effective, and efficient representations of track identifiers that significantly outperform commonly used strategies. We introduce Text2Tracks, a generative retrieval model that learns a mapping from a user's music recommendation prompt to the relevant track IDs directly. Through an offline evaluation on a dataset of playlists with language inputs, we find that (1) the strategy to create IDs for music tracks is the most important factor for the effectiveness of Text2Tracks and semantic IDs significantly outperform commonly used strategies that rely on song titles as identifiers (2) provided with the right choice of track identifiers, Text2Tracks outperforms sparse and dense retrieval solutions trained to retrieve tracks from language prompts.
As artificial intelligence becomes more and more ingrained in daily life, we present a novel system that uses deep learning for music recommendation and emotion-based detection. Through the use of facial recognition and the DeepFace framework, our method analyses human emotions in real-time and then plays music that reflects the mood it has discovered. The system uses a webcam to take pictures, analyses the most common facial expression, and then pulls a playlist from local storage that corresponds to the mood it has detected. An engaging and customised experience is ensured by allowing users to manually change the song selection via a dropdown menu or navigation buttons. By continuously looping over the playlist, the technology guarantees continuity. The objective of our system is to improve emotional well-being through music therapy by offering a responsive and automated music-selection experience.
We present TALKPLAY, a novel multimodal music recommendation system that reformulates recommendation as a token generation problem using large language models (LLMs). By leveraging the instruction-following and natural language generation capabilities of LLMs, our system effectively recommends music from diverse user queries while generating contextually relevant responses. While pretrained LLMs are primarily designed for text modality, TALKPLAY extends their scope through two key innovations: a multimodal music tokenizer that encodes audio features, lyrics, metadata, semantic tags, and playlist co-occurrence signals; and a vocabulary expansion mechanism that enables unified processing and generation of both linguistic and music-relevant tokens. By integrating the recommendation system directly into the LLM architecture, TALKPLAY transforms conventional systems by: (1) unifying previous two-stage conversational recommendation systems (recommendation engines and dialogue managers) into a cohesive end-to-end system, (2) effectively utilizing long conversational context for recommendation while maintaining strong performance in extended multi-turn interactions, and (3) generating natural language responses for seamless user interaction. Our qualitative and quantitative evaluation demonstrates that TALKPLAY significantly outperforms unimodal approaches based solely on text or listening history in both recommendation performance and conversational naturalness.
Music genre classification is a critical component of music recommendation systems, generation algorithms, and cultural analytics. In this work, we present an innovative model for classifying music genres using attention-based temporal signature modeling. By processing spectrogram sequences through Convolutional Neural Networks (CNNs) and multi-head attention layers, our approach captures the most temporally significant moments within each piece, crafting a unique "signature" for genre identification. This temporal focus not only enhances classification accuracy but also reveals insights into genre-specific characteristics that can be intuitively mapped to listener perceptions. Our findings offer potential applications in personalized music recommendation systems by highlighting cross-genre similarities and distinctiveness, aligning closely with human musical intuition. This work bridges the gap between technical classification tasks and the nuanced, human experience of genre.
CTR prediction plays a vital role in recommender systems. Recently, large language models (LLMs) have been applied in recommender systems due to their emergence abilities. While leveraging semantic information from LLMs has shown some improvements in the performance of recommender systems, two notable limitations persist in these studies. First, LLM-enhanced recommender systems encounter challenges in extracting valuable information from lifelong user behavior sequences within textual contexts for recommendation tasks. Second, the inherent variability in human behaviors leads to a constant stream of new behaviors and irregularly fluctuating user interests. This characteristic imposes two significant challenges on existing models. On the one hand, it presents difficulties for LLMs in effectively capturing the dynamic shifts in user interests within these sequences, and on the other hand, there exists the issue of substantial computational overhead if the LLMs necessitate recurrent calls upon each update to the user sequences. In this work, we propose Lifelong User Behavior Modeling (LIBER) based on large language models, which includes three modules: (1) User Behavior Streaming Partition (UBSP), (2) User Interest Learning (UIL), and (3) User Interest Fusion (UIF). Initially, UBSP is employed to condense lengthy user behavior sequences into shorter partitions in an incremental paradigm, facilitating more efficient processing. Subsequently, UIL leverages LLMs in a cascading way to infer insights from these partitions. Finally, UIF integrates the textual outputs generated by the aforementioned processes to construct a comprehensive representation, which can be incorporated by any recommendation model to enhance performance. LIBER has been deployed on Huawei's music recommendation service and achieved substantial improvements in users' play count and play time by 3.01% and 7.69%.
Recommender systems relying on Language Models (LMs) have gained popularity in assisting users to navigate large catalogs. LMs often exploit item high-level descriptors, i.e. categories or consumption contexts, from training data or user preferences. This has been proven effective in domains like movies or products. However, in the music domain, understanding how effectively LMs utilize song descriptors for natural language-based music recommendation is relatively limited. In this paper, we assess LMs effectiveness in recommending songs based on user natural language descriptions and items with descriptors like genres, moods, and listening contexts. We formulate the recommendation task as a dense retrieval problem and assess LMs as they become increasingly familiar with data pertinent to the task and domain. Our findings reveal improved performance as LMs are fine-tuned for general language similarity, information retrieval, and mapping longer descriptions to shorter, high-level descriptors in music.
This paper introduces an extendable modular system that compiles a range of music feature extraction models to aid music information retrieval research. The features include musical elements like key, downbeats, and genre, as well as audio characteristics like instrument recognition, vocals/instrumental classification, and vocals gender detection. The integrated models are state-of-the-art or latest open-source. The features can be extracted as latent or post-processed labels, enabling integration into music applications such as generative music, recommendation, and playlist generation. The modular design allows easy integration of newly developed systems, making it a good benchmarking and comparison tool. This versatile toolkit supports the research community in developing innovative solutions by providing concrete musical features.
This paper proposes a machine learning approach for classifying classical and new Egyptian music by composer and generating new similar music. The proposed system utilizes a convolutional neural network (CNN) for classification and a CNN autoencoder for generation. The dataset used in this project consists of new and classical Egyptian music pieces composed by different composers. To classify the music by composer, each sample is normalized and transformed into a mel spectrogram. The CNN model is trained on the dataset using the mel spectrograms as input features and the composer labels as output classes. The model achieves 81.4\% accuracy in classifying the music by composer, demonstrating the effectiveness of the proposed approach. To generate new music similar to the original pieces, a CNN autoencoder is trained on a similar dataset. The model is trained to encode the mel spectrograms of the original pieces into a lower-dimensional latent space and then decode them back into the original mel spectrogram. The generated music is produced by sampling from the latent space and decoding the samples back into mel spectrograms, which are then transformed into audio. In conclusion, the proposed system provides a promising approach to classifying and generating classical Egyptian music, which can be applied in various musical applications, such as music recommendation systems, music production, and music education.
This project explores the application of machine learning techniques for music genre classification using the GTZAN dataset, which contains 100 audio files per genre. Motivated by the growing demand for personalized music recommendations, we focused on classifying five genres-Blues, Classical, Jazz, Hip Hop, and Country-using a variety of algorithms including Logistic Regression, K-Nearest Neighbors (KNN), Random Forest, and Artificial Neural Networks (ANN) implemented via Keras. The ANN model demonstrated the best performance, achieving a validation accuracy of 92.44%. We also analyzed key audio features such as spectral roll-off, spectral centroid, and MFCCs, which helped enhance the model's accuracy. Future work will expand the model to cover all ten genres, investigate advanced methods like Long Short-Term Memory (LSTM) networks and ensemble approaches, and develop a web application for real-time genre classification and playlist generation. This research aims to contribute to improving music recommendation systems and content curation.
In this effort, we propose using the Mamba for handling tabular data in personalized recommendation systems. We present the \textit{FT-Mamba} (Feature Tokenizer\,$+$\,Mamba), a novel hybrid model that replaces Transformer layers with Mamba layers within the FT-Transformer architecture, for handling tabular data in personalized recommendation systems. The \textit{Mamba model} offers an efficient alternative to Transformers, reducing computational complexity from quadratic to linear by enhancing the capabilities of State Space Models (SSMs). FT-Mamba is designed to improve the scalability and efficiency of recommendation systems while maintaining performance. We evaluate FT-Mamba in comparison to a traditional Transformer-based model within a Two-Tower architecture on three datasets: Spotify music recommendation, H\&M fashion recommendation, and vaccine messaging recommendation. Each model is trained on 160,000 user-action pairs, and performance is measured using precision (P), recall (R), Mean Reciprocal Rank (MRR), and Hit Ratio (HR) at several truncation values. Our results demonstrate that FT-Mamba outperforms the Transformer-based model in terms of computational efficiency while maintaining or exceeding performance across key recommendation metrics. By leveraging Mamba layers, FT-Mamba provides a scalable and effective solution for large-scale personalized recommendation systems, showcasing the potential of the Mamba architecture to enhance both efficiency and accuracy.
Over the years, Music Information Retrieval (MIR) has proposed various models pretrained on large amounts of music data. Transfer learning showcases the proven effectiveness of pretrained backend models with a broad spectrum of downstream tasks, including auto-tagging and genre classification. However, MIR papers generally do not explore the efficiency of pretrained models for Music Recommender Systems (MRS). In addition, the Recommender Systems community tends to favour traditional end-to-end neural network learning over these models. Our research addresses this gap and evaluates the applicability of six pretrained backend models (MusicFM, Music2Vec, MERT, EncodecMAE, Jukebox, and MusiCNN) in the context of MRS. We assess their performance using three recommendation models: K-nearest neighbours (KNN), shallow neural network, and BERT4Rec. Our findings suggest that pretrained audio representations exhibit significant performance variability between traditional MIR tasks and MRS, indicating that valuable aspects of musical information captured by backend models may differ depending on the task. This study establishes a foundation for further exploration of pretrained audio representations to enhance music recommendation systems.
Music recommender systems frequently utilize network-based models to capture relationships between music pieces, artists, and users. Although these relationships provide valuable insights for predictions, new music pieces or artists often face the cold-start problem due to insufficient initial information. To address this, one can extract content-based information directly from the music to enhance collaborative-filtering-based methods. While previous approaches have relied on hand-crafted audio features for this purpose, we explore the use of contrastively pretrained neural audio embedding models, which offer a richer and more nuanced representation of music. Our experiments demonstrate that neural embeddings, particularly those generated with the Contrastive Language-Audio Pretraining (CLAP) model, present a promising approach to enhancing music recommendation tasks within graph-based frameworks.
Modern music streaming services are heavily based on recommendation engines to serve content to users. Sequential recommendation -- continuously providing new items within a single session in a contextually coherent manner -- has been an emerging topic in current literature. User feedback -- a positive or negative response to the item presented -- is used to drive content recommendations by learning user preferences. We extend this idea to session-based recommendation to provide context-coherent music recommendations by modelling negative user feedback, i.e., skips, in the loss function. We propose a sequence-aware contrastive sub-task to structure item embeddings in session-based music recommendation, such that true next-positive items (ignoring skipped items) are structured closer in the session embedding space, while skipped tracks are structured farther away from all items in the session. This directly affects item rankings using a K-nearest-neighbors search for next-item recommendations, while also promoting the rank of the true next item. Experiments incorporating this task into SoTA methods for sequential item recommendation show consistent performance gains in terms of next-item hit rate, item ranking, and skip down-ranking on three music recommendation datasets, strongly benefiting from the increasing presence of user feedback.
Music classification, with a wide range of applications, is one of the most prominent tasks in music information retrieval. To address the absence of comprehensive datasets and high-performing methods in the classification of mainstage dance music, this work introduces a novel benchmark comprising a new dataset and a baseline. Our dataset extends the number of sub-genres to cover most recent mainstage live sets by top DJs worldwide in music festivals. A continuous soft labeling approach is employed to account for tracks that span multiple sub-genres, preserving the inherent sophistication. For the baseline, we developed deep learning models that outperform current state-of-the-art multimodel language models, which struggle to identify house music sub-genres, emphasizing the need for specialized models trained on fine-grained datasets. Our benchmark is applicable to serve for application scenarios such as music recommendation, DJ set curation, and interactive multimedia, where we also provide video demos. Our code is on \url{https://anonymous.4open.science/r/Mainstage-EDM-Benchmark/}.
In the realm of music recommendation, sequential recommender systems have shown promise in capturing the dynamic nature of music consumption. Nevertheless, traditional Transformer-based models, such as SASRec and BERT4Rec, while effective, encounter challenges due to the unique characteristics of music listening habits. In fact, existing models struggle to create a coherent listening experience due to rapidly evolving preferences. Moreover, music consumption is characterized by a prevalence of repeated listening, i.e., users frequently return to their favourite tracks, an important signal that could be framed as individual or personalized popularity. This paper addresses these challenges by introducing a novel approach that incorporates personalized popularity information into sequential recommendation. By combining user-item popularity scores with model-generated scores, our method effectively balances the exploration of new music with the satisfaction of user preferences. Experimental results demonstrate that a Personalized Most Popular recommender, a method solely based on user-specific popularity, outperforms existing state-of-the-art models. Furthermore, augmenting Transformer-based models with personalized popularity awareness yields superior performance, showing improvements ranging from 25.2% to 69.8%. The code for this paper is available at https://github.com/sisinflab/personalized-popularity-awareness.
As recommender systems are prone to various biases, mitigation approaches are needed to ensure that recommendations are fair to various stakeholders. One particular concern in music recommendation is artist gender fairness. Recent work has shown that the gender imbalance in the sector translates to the output of music recommender systems, creating a feedback loop that can reinforce gender biases over time. In this work, we examine that feedback loop to study whether algorithmic strategies or user behavior are a greater contributor to ongoing improvement (or loss) in fairness as models are repeatedly re-trained on new user feedback data. We simulate user interaction and re-training to investigate the effects of ranking strategies and user choice models on gender fairness metrics. We find re-ranking strategies have a greater effect than user choice models on recommendation fairness over time.
Music streaming services often leverage sequential recommender systems to predict the best music to showcase to users based on past sequences of listening sessions. Nonetheless, most sequential recommendation methods ignore or insufficiently account for repetitive behaviors. This is a crucial limitation for music recommendation, as repeatedly listening to the same song over time is a common phenomenon that can even change the way users perceive this song. In this paper, we introduce PISA (Psychology-Informed Session embedding using ACT-R), a session-level sequential recommender system that overcomes this limitation. PISA employs a Transformer architecture learning embedding representations of listening sessions and users using attention mechanisms inspired by Anderson's ACT-R (Adaptive Control of Thought-Rational), a cognitive architecture modeling human information access and memory dynamics. This approach enables us to capture dynamic and repetitive patterns from user behaviors, allowing us to effectively predict the songs they will listen to in subsequent sessions, whether they are repeated or new ones. We demonstrate the empirical relevance of PISA using both publicly available listening data from Last.fm and proprietary data from Deezer, a global music streaming service, confirming the critical importance of repetition modeling for sequential listening session recommendation. Along with this paper, we publicly release our proprietary dataset to foster future research in this field, as well as the source code of PISA to facilitate its future use.
Recent work suggests that music recommender systems are prone to disproportionally frequent recommendations of music from countries more prominently represented in the training data, notably the US. However, it remains unclear to what extent feedback loops in music recommendation influence the dynamics of such imbalance. In this work, we investigate the dynamics of representation of local (i.e., country-specific) and US-produced music in user profiles and recommendations. To this end, we conduct a feedback loop simulation study using the standardized LFM-2b dataset. The results suggest that most of the investigated recommendation models decrease the proportion of music from local artists in their recommendations. Furthermore, we find that models preserving average proportions of US and local music do not necessarily provide country-calibrated recommendations. We also look into popularity calibration and, surprisingly, find that the most popularity-calibrated model in our study (ItemKNN) provides the least country-calibrated recommendations. In addition, users from less represented countries (e.g., Finland) are, in the long term, most affected by the under-representation of their local music in recommendations.