3D color lookup tables (LUTs) enable precise color manipulation by mapping input RGB values to specific output RGB values. 3D LUTs are instrumental in various applications, including video editing, in-camera processing, photographic filters, computer graphics, and color processing for displays. While an individual LUT does not incur a high memory overhead, software and devices may need to store dozens to hundreds of LUTs that can take over 100 MB. This work aims to develop a neural network architecture that can encode hundreds of LUTs in a single compact representation. To this end, we propose a model with a memory footprint of less than 0.25 MB that can reconstruct 512 LUTs with only minor color distortion ($\bar{\Delta}E_M$ $\leq$ 2.0) over the entire color gamut. We also show that our network can weight colors to provide further quality gains on natural image colors ($\bar{\Delta}{E}_M$ $\leq$ 1.0). Finally, we show that minor modifications to the network architecture enable a bijective encoding that produces LUTs that are invertible, allowing for reverse color processing. Our code is available at https://github.com/vahidzee/ennelut.
A popular method for enhancing images involves learning the style of a professional photo editor using pairs of training images comprised of the original input with the editor-enhanced version. When manipulating images, many editing tools offer a feature that allows the user to manipulate a limited selection of familiar colors. Editing by color name allows easy adjustment of elements like the "blue" of the sky or the "green" of trees. Inspired by this approach to color manipulation, we propose NamedCurves, a learning-based image enhancement technique that separates the image into a small set of named colors. Our method learns to globally adjust the image for each specific named color via tone curves and then combines the images using an attention-based fusion mechanism to mimic spatial editing. We demonstrate the effectiveness of our method against several competing methods on the well-known Adobe 5K dataset and the PPR10K dataset, showing notable improvements.
Despite the existence of numerous colorization methods, several limitations still exist, such as lack of user interaction, inflexibility in local colorization, unnatural color rendering, insufficient color variation, and color overflow. To solve these issues, we introduce Control Color (CtrlColor), a multi-modal colorization method that leverages the pre-trained Stable Diffusion (SD) model, offering promising capabilities in highly controllable interactive image colorization. While several diffusion-based methods have been proposed, supporting colorization in multiple modalities remains non-trivial. In this study, we aim to tackle both unconditional and conditional image colorization (text prompts, strokes, exemplars) and address color overflow and incorrect color within a unified framework. Specifically, we present an effective way to encode user strokes to enable precise local color manipulation and employ a practical way to constrain the color distribution similar to exemplars. Apart from accepting text prompts as conditions, these designs add versatility to our approach. We also introduce a novel module based on self-attention and a content-guided deformable autoencoder to address the long-standing issues of color overflow and inaccurate coloring. Extensive comparisons show that our model outperforms state-of-the-art image colorization methods both qualitatively and quantitatively.
3D lookup tables (3D LUTs) are a key component for image enhancement. Modern image signal processors (ISPs) have dedicated support for these as part of the camera rendering pipeline. Cameras typically provide multiple options for picture styles, where each style is usually obtained by applying a unique handcrafted 3D LUT. Current approaches for learning and applying 3D LUTs are notably fast, yet not so memory-efficient, as storing multiple 3D LUTs is required. For this reason and other implementation limitations, their use on mobile devices is less popular. In this work, we propose a Neural Implicit LUT (NILUT), an implicitly defined continuous 3D color transformation parameterized by a neural network. We show that NILUTs are capable of accurately emulating real 3D LUTs. Moreover, a NILUT can be extended to incorporate multiple styles into a single network with the ability to blend styles implicitly. Our novel approach is memory-efficient, controllable and can complement previous methods, including learned ISPs. Code, models and dataset available at: https://github.com/mv-lab/nilut
Radiance fields have gradually become a main representation of media. Although its appearance editing has been studied, how to achieve view-consistent recoloring in an efficient manner is still under explored. We present RecolorNeRF, a novel user-friendly color editing approach for the neural radiance fields. Our key idea is to decompose the scene into a set of pure-colored layers, forming a palette. By this means, color manipulation can be conducted by altering the color components of the palette directly. To support efficient palette-based editing, the color of each layer needs to be as representative as possible. In the end, the problem is formulated as an optimization problem, where the layers and their blending weights are jointly optimized with the NeRF itself. Extensive experiments show that our jointly-optimized layer decomposition can be used against multiple backbones and produce photo-realistic recolored novel-view renderings. We demonstrate that RecolorNeRF outperforms baseline methods both quantitatively and qualitatively for color editing even in complex real-world scenes.
This thesis presents methods and approaches to image color correction, color enhancement, and color editing. To begin, we study the color correction problem from the standpoint of the camera's image signal processor (ISP). A camera's ISP is hardware that applies a series of in-camera image processing and color manipulation steps, many of which are nonlinear in nature, to render the initial sensor image to its final photo-finished representation saved in the 8-bit standard RGB (sRGB) color space. As white balance (WB) is one of the major procedures applied by the ISP for color correction, this thesis presents two different methods for ISP white balancing. Afterward, we discuss another scenario of correcting and editing image colors, where we present a set of methods to correct and edit WB settings for images that have been improperly white-balanced by the ISP. Then, we explore another factor that has a significant impact on the quality of camera-rendered colors, in which we outline two different methods to correct exposure errors in camera-rendered images. Lastly, we discuss post-capture auto color editing and manipulation. In particular, we propose auto image recoloring methods to generate different realistic versions of the same camera-rendered image with new colors. Through extensive evaluations, we demonstrate that our methods provide superior solutions compared to existing alternatives targeting color correction, color enhancement, and color editing.
Existing image-to-image translation (I2IT) methods are either constrained to low-resolution images or long inference time due to their heavy computational burden on the convolution of high-resolution feature maps. In this paper, we focus on speeding-up the high-resolution photorealistic I2IT tasks based on closed-form Laplacian pyramid decomposition and reconstruction. Specifically, we reveal that the attribute transformations, such as illumination and color manipulation, relate more to the low-frequency component, while the content details can be adaptively refined on high-frequency components. We consequently propose a Laplacian Pyramid Translation Network (LPTN) to simultaneously perform these two tasks, where we design a lightweight network for translating the low-frequency component with reduced resolution and a progressive masking strategy to efficiently refine the high-frequency ones. Our model avoids most of the heavy computation consumed by processing high-resolution feature maps and faithfully preserves the image details. Extensive experimental results on various tasks demonstrate that the proposed method can translate 4K images in real-time using one normal GPU while achieving comparable transformation performance against existing methods. Datasets and codes are available: https://github.com/csjliang/LPTN.
Makeup transfer is the task of applying on a source face the makeup style from a reference image. Real-life makeups are diverse and wild, which cover not only color-changing but also patterns, such as stickers, blushes, and jewelries. However, existing works overlooked the latter components and confined makeup transfer to color manipulation, focusing only on light makeup styles. In this work, we propose a holistic makeup transfer framework that can handle all the mentioned makeup components. It consists of an improved color transfer branch and a novel pattern transfer branch to learn all makeup properties, including color, shape, texture, and location. To train and evaluate such a system, we also introduce new makeup datasets for real and synthetic extreme makeup. Experimental results show that our framework achieves the state of the art performance on both light and extreme makeup styles. Code is available at https://github.com/VinAIResearch/CPM.
Arbitrary text appearance poses a great challenge in scene text recognition tasks. Existing works mostly handle with the problem in consideration of the shape distortion, including perspective distortions, line curvature or other style variations. Therefore, methods based on spatial transformers are extensively studied. However, chromatic difficulties in complex scenes have not been paid much attention on. In this work, we introduce a new learnable geometric-unrelated module, the Structure-Preserving Inner Offset Network (SPIN), which allows the color manipulation of source data within the network. This differentiable module can be inserted before any recognition architecture to ease the downstream tasks, giving neural networks the ability to actively transform input intensity rather than the existing spatial rectification. It can also serve as a complementary module to known spatial transformations and work in both independent and collaborative ways with them. Extensive experiments show that the use of SPIN results in a significant improvement on multiple text recognition benchmarks compared to the state-of-the-arts.