Audiovisual emotion recognition (AVER) aims to infer human emotions from nonverbal visual-audio (VA) cues, offering modality-complementary and language-agnostic advantages. However, AVER remains challenging due to the inherent ambiguity of emotional expressions, cross-modal expressive disparities, and the scarcity of reliably annotated data. Recent self-supervised AVER approaches have introduced strong multimodal representations, yet they predominantly rely on modality-specific encoders and coarse content-level alignment, limiting fine-grained emotional semantic modeling. To address these issues, we propose VAEmo, an efficient two-stage framework for emotion-centric joint VA representation learning with external knowledge injection. In Stage 1, a unified and lightweight representation network is pre-trained on large-scale speaker-centric VA corpora via masked reconstruction and contrastive objectives, mitigating the modality gap and learning expressive, complementary representations without emotion labels. In Stage 2, multimodal large language models automatically generate detailed affective descriptions according to our well-designed chain-of-thought prompting for only a small subset of VA samples; these rich textual semantics are then injected by aligning their corresponding embeddings with VA representations through dual-path contrastive learning, further bridging the emotion gap. Extensive experiments on multiple downstream AVER benchmarks show that VAEmo achieves state-of-the-art performance with a compact design, highlighting the benefit of unified cross-modal encoding and emotion-aware semantic guidance for efficient, generalizable VA emotion representations.
This paper expands the cascaded network branch of the autoencoder-based multi-task learning (MTL) framework for dynamic facial expression recognition, namely Multi-Task Cascaded Autoencoder for Dynamic Facial Expression Recognition (MTCAE-DFER). MTCAE-DFER builds a plug-and-play cascaded decoder module, which is based on the Vision Transformer (ViT) architecture and employs the decoder concept of Transformer to reconstruct the multi-head attention module. The decoder output from the previous task serves as the query (Q), representing local dynamic features, while the Video Masked Autoencoder (VideoMAE) shared encoder output acts as both the key (K) and value (V), representing global dynamic features. This setup facilitates interaction between global and local dynamic features across related tasks. Additionally, this proposal aims to alleviate overfitting of complex large model. We utilize autoencoder-based multi-task cascaded learning approach to explore the impact of dynamic face detection and dynamic face landmark on dynamic facial expression recognition, which enhances the model's generalization ability. After we conduct extensive ablation experiments and comparison with state-of-the-art (SOTA) methods on various public datasets for dynamic facial expression recognition, the robustness of the MTCAE-DFER model and the effectiveness of global-local dynamic feature interaction among related tasks have been proven.
This paper presents a novel approach to processing multimodal data for dynamic emotion recognition, named as the Multimodal Masked Autoencoder for Dynamic Emotion Recognition (MultiMAE-DER). The MultiMAE-DER leverages the closely correlated representation information within spatiotemporal sequences across visual and audio modalities. By utilizing a pre-trained masked autoencoder model, the MultiMAEDER is accomplished through simple, straightforward finetuning. The performance of the MultiMAE-DER is enhanced by optimizing six fusion strategies for multimodal input sequences. These strategies address dynamic feature correlations within cross-domain data across spatial, temporal, and spatiotemporal sequences. In comparison to state-of-the-art multimodal supervised learning models for dynamic emotion recognition, MultiMAE-DER enhances the weighted average recall (WAR) by 4.41% on the RAVDESS dataset and by 2.06% on the CREMAD. Furthermore, when compared with the state-of-the-art model of multimodal self-supervised learning, MultiMAE-DER achieves a 1.86% higher WAR on the IEMOCAP dataset.
Nowadays, short-form videos (SVs) are essential to web information acquisition and sharing in our daily life. The prevailing use of SVs to spread emotions leads to the necessity of conducting video emotion analysis (VEA) towards SVs. Considering the lack of SVs emotion data, we introduce a large-scale dataset named eMotions, comprising 27,996 videos. Meanwhile, we alleviate the impact of subjectivities on labeling quality by emphasizing better personnel allocations and multi-stage annotations. In addition, we provide the category-balanced and test-oriented variants through targeted data sampling. Some commonly used videos, such as facial expressions, have been well studied. However, it is still challenging to analysis the emotions in SVs. Since the broader content diversity brings more distinct semantic gaps and difficulties in learning emotion-related features, and there exists local biases and collective information gaps caused by the emotion inconsistence under the prevalently audio-visual co-expressions. To tackle these challenges, we present an end-to-end audio-visual baseline AV-CANet which employs the video transformer to better learn semantically relevant representations. We further design the Local-Global Fusion Module to progressively capture the correlations of audio-visual features. The EP-CE Loss is then introduced to guide model optimization. Extensive experimental results on seven datasets demonstrate the effectiveness of AV-CANet, while providing broad insights for future works. Besides, we investigate the key components of AV-CANet by ablation studies. Datasets and code will be fully open soon.
In the latest social networks, more and more people prefer to express their emotions in videos through text, speech, and rich facial expressions. Multimodal video emotion analysis techniques can help understand users' inner world automatically based on human expressions and gestures in images, tones in voices, and recognized natural language. However, in the existing research, the acoustic modality has long been in a marginal position as compared to visual and textual modalities. That is, it tends to be more difficult to improve the contribution of the acoustic modality for the whole multimodal emotion recognition task. Besides, although better performance can be obtained by introducing common deep learning methods, the complex structures of these training models always result in low inference efficiency, especially when exposed to high-resolution and long-length videos. Moreover, the lack of a fully end-to-end multimodal video emotion recognition system hinders its application. In this paper, we designed a fully multimodal video-to-emotion system (named FV2ES) for fast yet effective recognition inference, whose benefits are threefold: (1) The adoption of the hierarchical attention method upon the sound spectra breaks through the limited contribution of the acoustic modality and outperforms the existing models' performance on both IEMOCAP and CMU-MOSEI datasets; (2) the introduction of the idea of multi-scale for visual extraction while single-branch for inference brings higher efficiency and maintains the prediction accuracy at the same time; (3) the further integration of data pre-processing into the aligned multimodal learning model allows the significant reduction of computational costs and storage space.
Humans are able to comprehend information from multiple domains for e.g. speech, text and visual. With advancement of deep learning technology there has been significant improvement of speech recognition. Recognizing emotion from speech is important aspect and with deep learning technology emotion recognition has improved in accuracy and latency. There are still many challenges to improve accuracy. In this work, we attempt to explore different neural networks to improve accuracy of emotion recognition. With different architectures explored, we find (CNN+RNN) + 3DCNN multi-model architecture which processes audio spectrograms and corresponding video frames giving emotion prediction accuracy of 54.0% among 4 emotions and 71.75% among 3 emotions using IEMOCAP[2] dataset.
Spatial-temporal feature learning is of vital importance for video emotion recognition. Previous deep network structures often focused on macro-motion which extends over long time scales, e.g., on the order of seconds. We believe integrating structures capturing information about both micro- and macro-motion will benefit emotion prediction, because human perceive both micro- and macro-expressions. In this paper, we propose to combine micro- and macro-motion features to improve video emotion recognition with a two-stream recurrent network, named MIMAMO (Micro-Macro-Motion) Net. Specifically, smaller and shorter micro-motions are analyzed by a two-stream network, while larger and more sustained macro-motions can be well captured by a subsequent recurrent network. Assigning specific interpretations to the roles of different parts of the network enables us to make choice of parameters based on prior knowledge: choices that turn out to be optimal. One of the important innovations in our model is the use of interframe phase differences rather than optical flow as input to the temporal stream. Compared with the optical flow, phase differences require less computation and are more robust to illumination changes. Our proposed network achieves state of the art performance on two video emotion datasets, the OMG emotion dataset and the Aff-Wild dataset. The most significant gains are for arousal prediction, for which motion information is intuitively more informative. Source code is available at https://github.com/wtomin/MIMAMO-Net.