Video body-swapping aims to replace the body in an existing video with a new body from arbitrary sources, which has garnered more attention in recent years. Existing methods treat video body-swapping as a composite of multiple tasks instead of an independent task and typically rely on various models to achieve video body-swapping sequentially. However, these methods fail to achieve end-to-end optimization for the video body-swapping which causes issues such as variations in luminance among frames, disorganized occlusion relationships, and the noticeable separation between bodies and background. In this work, we define video body-swapping as an independent task and propose three critical consistencies: identity consistency, motion consistency, and environment consistency. We introduce an end-to-end model named SwapAnyone, treating video body-swapping as a video inpainting task with reference fidelity and motion control. To improve the ability to maintain environmental harmony, particularly luminance harmony in the resulting video, we introduce a novel EnvHarmony strategy for training our model progressively. Additionally, we provide a dataset named HumanAction-32K covering various videos about human actions. Extensive experiments demonstrate that our method achieves State-Of-The-Art (SOTA) performance among open-source methods while approaching or surpassing closed-source models across multiple dimensions. All code, model weights, and the HumanAction-32K dataset will be open-sourced at https://github.com/PKU-YuanGroup/SwapAnyone.
Video inpainting, which aims to restore corrupted video content, has experienced substantial progress. Despite these advances, existing methods, whether propagating unmasked region pixels through optical flow and receptive field priors, or extending image-inpainting models temporally, face challenges in generating fully masked objects or balancing the competing objectives of background context preservation and foreground generation in one model, respectively. To address these limitations, we propose a novel dual-stream paradigm VideoPainter that incorporates an efficient context encoder (comprising only 6% of the backbone parameters) to process masked videos and inject backbone-aware background contextual cues to any pre-trained video DiT, producing semantically consistent content in a plug-and-play manner. This architectural separation significantly reduces the model's learning complexity while enabling nuanced integration of crucial background context. We also introduce a novel target region ID resampling technique that enables any-length video inpainting, greatly enhancing our practical applicability. Additionally, we establish a scalable dataset pipeline leveraging current vision understanding models, contributing VPData and VPBench to facilitate segmentation-based inpainting training and assessment, the largest video inpainting dataset and benchmark to date with over 390K diverse clips. Using inpainting as a pipeline basis, we also explore downstream applications including video editing and video editing pair data generation, demonstrating competitive performance and significant practical potential. Extensive experiments demonstrate VideoPainter's superior performance in both any-length video inpainting and editing, across eight key metrics, including video quality, mask region preservation, and textual coherence.
Recent video inpainting algorithms integrate flow-based pixel propagation with transformer-based generation to leverage optical flow for restoring textures and objects using information from neighboring frames, while completing masked regions through visual Transformers. However, these approaches often encounter blurring and temporal inconsistencies when dealing with large masks, highlighting the need for models with enhanced generative capabilities. Recently, diffusion models have emerged as a prominent technique in image and video generation due to their impressive performance. In this paper, we introduce DiffuEraser, a video inpainting model based on stable diffusion, designed to fill masked regions with greater details and more coherent structures. We incorporate prior information to provide initialization and weak conditioning,which helps mitigate noisy artifacts and suppress hallucinations. Additionally, to improve temporal consistency during long-sequence inference, we expand the temporal receptive fields of both the prior model and DiffuEraser, and further enhance consistency by leveraging the temporal smoothing property of Video Diffusion Models. Experimental results demonstrate that our proposed method outperforms state-of-the-art techniques in both content completeness and temporal consistency while maintaining acceptable efficiency.
Video inpainting (VI) is a challenging task that requires effective propagation of observable content across frames while simultaneously generating new content not present in the original video. In this study, we propose a robust and practical VI framework that leverages a large generative model for reference generation in combination with an advanced pixel propagation algorithm. Powered by a strong generative model, our method not only significantly enhances frame-level quality for object removal but also synthesizes new content in the missing areas based on user-provided text prompts. For pixel propagation, we introduce a one-shot pixel pulling method that effectively avoids error accumulation from repeated sampling while maintaining sub-pixel precision. To evaluate various VI methods in realistic scenarios, we also propose a high-quality VI benchmark, HQVI, comprising carefully generated videos using alpha matte composition. On public benchmarks and the HQVI dataset, our method demonstrates significantly higher visual quality and metric scores compared to existing solutions. Furthermore, it can process high-resolution videos exceeding 2K resolution with ease, underscoring its superiority for real-world applications.
The spatio-temporal complexity of video data presents significant challenges in tasks such as compression, generation, and inpainting. We present four key contributions to address the challenges of spatiotemporal video processing. First, we introduce the 3D Mobile Inverted Vector-Quantization Variational Autoencoder (3D-MBQ-VAE), which combines Variational Autoencoders (VAEs) with masked token modeling to enhance spatiotemporal video compression. The model achieves superior temporal consistency and state-of-the-art (SOTA) reconstruction quality by employing a novel training strategy with full frame masking. Second, we present MotionAura, a text-to-video generation framework that utilizes vector-quantized diffusion models to discretize the latent space and capture complex motion dynamics, producing temporally coherent videos aligned with text prompts. Third, we propose a spectral transformer-based denoising network that processes video data in the frequency domain using the Fourier Transform. This method effectively captures global context and long-range dependencies for high-quality video generation and denoising. Lastly, we introduce a downstream task of Sketch Guided Video Inpainting. This task leverages Low-Rank Adaptation (LoRA) for parameter-efficient fine-tuning. Our models achieve SOTA performance on a range of benchmarks. Our work offers robust frameworks for spatiotemporal modeling and user-driven video content manipulation. We will release the code, datasets, and models in open-source.
The field of controllable human-centric video generation has witnessed remarkable progress, particularly with the advent of diffusion models. However, achieving precise and localized control over human motion in videos, such as replacing or inserting individuals while preserving desired motion patterns, still remains a formidable challenge. In this work, we present the ReplaceAnyone framework, which focuses on localized human replacement and insertion featuring intricate backgrounds. Specifically, we formulate this task as an image-conditioned video inpainting paradigm with pose guidance, utilizing a unified end-to-end video diffusion architecture that facilitates image-conditioned video inpainting within masked regions. To prevent shape leakage and enable granular local control, we introduce diverse mask forms involving both regular and irregular shapes. Furthermore, we implement an enriched visual guidance mechanism to enhance appearance alignment, a hybrid inpainting encoder to further preserve the detailed background information in the masked video, and a two-phase optimization methodology to simplify the training difficulty. ReplaceAnyone enables seamless replacement or insertion of characters while maintaining the desired pose motion and reference appearance within a single framework. Extensive experimental results demonstrate the effectiveness of our method in generating realistic and coherent video content. The proposed ReplaceAnyone can be seamlessly applied not only to traditional 3D-UNet base models but also to DiT-based video models such as Wan2.1. The code will be available at https://github.com/ali-vilab/UniAnimate-DiT.
Video inpainting fills in corrupted video content with plausible replacements. While recent advances in endoscopic video inpainting have shown potential for enhancing the quality of endoscopic videos, they mainly repair 2D visual information without effectively preserving crucial 3D spatial details for clinical reference. Depth-aware inpainting methods attempt to preserve these details by incorporating depth information. Still, in endoscopic contexts, they face challenges including reliance on pre-acquired depth maps, less effective fusion designs, and ignorance of the fidelity of 3D spatial details. To address them, we introduce a novel Depth-aware Endoscopic Video Inpainting (DAEVI) framework. It features a Spatial-Temporal Guided Depth Estimation module for direct depth estimation from visual features, a Bi-Modal Paired Channel Fusion module for effective channel-by-channel fusion of visual and depth information, and a Depth Enhanced Discriminator to assess the fidelity of the RGB-D sequence comprised of the inpainted frames and estimated depth images. Experimental evaluations on established benchmarks demonstrate our framework's superiority, achieving a 2% improvement in PSNR and a 6% reduction in MSE compared to state-of-the-art methods. Qualitative analyses further validate its enhanced ability to inpaint fine details, highlighting the benefits of integrating depth information into endoscopic inpainting.
Deep video inpainting is typically used as malicious manipulation to remove important objects for creating fake videos. It is significant to identify the inpainted regions blindly. This letter proposes a simple yet effective forensic scheme for Video Inpainting LOcalization with ContrAstive Learning (ViLocal). Specifically, a 3D Uniformer encoder is applied to the video noise residual for learning effective spatiotemporal forensic features. To enhance the discriminative power, supervised contrastive learning is adopted to capture the local inconsistency of inpainted videos through attracting/repelling the positive/negative pristine and forged pixel pairs. A pixel-wise inpainting localization map is yielded by a lightweight convolution decoder with a specialized two-stage training strategy. To prepare enough training samples, we build a video object segmentation dataset of 2500 videos with pixel-level annotations per frame. Extensive experimental results validate the superiority of ViLocal over state-of-the-arts. Code and dataset will be available at https://github.com/multimediaFor/ViLocal.
Digital video inpainting techniques have been substantially improved with deep learning in recent years. Although inpainting is originally designed to repair damaged areas, it can also be used as malicious manipulation to remove important objects for creating false scenes and facts. As such it is significant to identify inpainted regions blindly. In this paper, we present a Trusted Video Inpainting Localization network (TruVIL) with excellent robustness and generalization ability. Observing that high-frequency noise can effectively unveil the inpainted regions, we design deep attentive noise learning in multiple stages to capture the inpainting traces. Firstly, a multi-scale noise extraction module based on 3D High Pass (HP3D) layers is used to create the noise modality from input RGB frames. Then the correlation between such two complementary modalities are explored by a cross-modality attentive fusion module to facilitate mutual feature learning. Lastly, spatial details are selectively enhanced by an attentive noise decoding module to boost the localization performance of the network. To prepare enough training samples, we also build a frame-level video object segmentation dataset of 2500 videos with pixel-level annotation for all frames. Extensive experimental results validate the superiority of TruVIL compared with the state-of-the-arts. In particular, both quantitative and qualitative evaluations on various inpainted videos verify the remarkable robustness and generalization ability of our proposed TruVIL. Code and dataset will be available at https://github.com/multimediaFor/TruVIL.
Video Wire Inpainting (VWI) is a prominent application in video inpainting, aimed at flawlessly removing wires in films or TV series, offering significant time and labor savings compared to manual frame-by-frame removal. However, wire removal poses greater challenges due to the wires being longer and slimmer than objects typically targeted in general video inpainting tasks, and often intersecting with people and background objects irregularly, which adds complexity to the inpainting process. Recognizing the limitations posed by existing video wire datasets, which are characterized by their small size, poor quality, and limited variety of scenes, we introduce a new VWI dataset with a novel mask generation strategy, namely Wire Removal Video Dataset 2 (WRV2) and Pseudo Wire-Shaped (PWS) Masks. WRV2 dataset comprises over 4,000 videos with an average length of 80 frames, designed to facilitate the development and efficacy of inpainting models. Building upon this, our research proposes the Redundancy-Aware Transformer (Raformer) method that addresses the unique challenges of wire removal in video inpainting. Unlike conventional approaches that indiscriminately process all frame patches, Raformer employs a novel strategy to selectively bypass redundant parts, such as static background segments devoid of valuable information for inpainting. At the core of Raformer is the Redundancy-Aware Attention (RAA) module, which isolates and accentuates essential content through a coarse-grained, window-based attention mechanism. This is complemented by a Soft Feature Alignment (SFA) module, which refines these features and achieves end-to-end feature alignment. Extensive experiments on both the traditional video inpainting datasets and our proposed WRV2 dataset demonstrate that Raformer outperforms other state-of-the-art methods.
Implicit neural representations (INR) excel in encoding videos within neural networks, showcasing promise in computer vision tasks like video compression and denoising. INR-based approaches reconstruct video frames from content-agnostic embeddings, which hampers their efficacy in video frame regression and restricts their generalization ability for video interpolation. To address these deficiencies, Hybrid Neural Representation for Videos (HNeRV) was introduced with content-adaptive embeddings. Nevertheless, HNeRV's compression ratios remain relatively low, attributable to an oversight in leveraging the network's shallow features and inter-frame residual information. In this work, we introduce an advanced U-shaped architecture, Vector Quantized-NeRV (VQ-NeRV), which integrates a novel component--the VQ-NeRV Block. This block incorporates a codebook mechanism to discretize the network's shallow residual features and inter-frame residual information effectively. This approach proves particularly advantageous in video compression, as it results in smaller size compared to quantized features. Furthermore, we introduce an original codebook optimization technique, termed shallow codebook optimization, designed to refine the utility and efficiency of the codebook. The experimental evaluations indicate that VQ-NeRV outperforms HNeRV on video regression tasks, delivering superior reconstruction quality (with an increase of 1-2 dB in Peak Signal-to-Noise Ratio (PSNR)), better bit per pixel (bpp) efficiency, and improved video inpainting outcomes.
Recent advancements in video generation have been remarkable, yet many existing methods struggle with issues of consistency and poor text-video alignment. Moreover, the field lacks effective techniques for text-guided video inpainting, a stark contrast to the well-explored domain of text-guided image inpainting. To this end, this paper proposes a novel text-guided video inpainting model that achieves better consistency, controllability and compatibility. Specifically, we introduce a simple but efficient motion capture module to preserve motion consistency, and design an instance-aware region selection instead of a random region selection to obtain better textual controllability, and utilize a novel strategy to inject some personalized models into our CoCoCo model and thus obtain better model compatibility. Extensive experiments show that our model can generate high-quality video clips. Meanwhile, our model shows better motion consistency, textual controllability and model compatibility. More details are shown in [cococozibojia.github.io](cococozibojia.github.io).
Head-mounted displays (HMDs) serve as indispensable devices for observing extended reality (XR) environments and virtual content. However, HMDs present an obstacle to external recording techniques as they block the upper face of the user. This limitation significantly affects social XR applications, specifically teleconferencing, where facial features and eye gaze information play a vital role in creating an immersive user experience. In this study, we propose a new network for expression-aware video inpainting for HMD removal (EVI-HRnet) based on generative adversarial networks (GANs). Our model effectively fills in missing information with regard to facial landmarks and a single occlusion-free reference image of the user. The framework and its components ensure the preservation of the user's identity across frames using the reference frame. To further improve the level of realism of the inpainted output, we introduce a novel facial expression recognition (FER) loss function for emotion preservation. Our results demonstrate the remarkable capability of the proposed framework to remove HMDs from facial videos while maintaining the subject's facial expression and identity. Moreover, the outputs exhibit temporal consistency along the inpainted frames. This lightweight framework presents a practical approach for HMD occlusion removal, with the potential to enhance various collaborative XR applications without the need for additional hardware.
We introduce a new task -- language-driven video inpainting, which uses natural language instructions to guide the inpainting process. This approach overcomes the limitations of traditional video inpainting methods that depend on manually labeled binary masks, a process often tedious and labor-intensive. We present the Remove Objects from Videos by Instructions (ROVI) dataset, containing 5,650 videos and 9,091 inpainting results, to support training and evaluation for this task. We also propose a novel diffusion-based language-driven video inpainting framework, the first end-to-end baseline for this task, integrating Multimodal Large Language Models to understand and execute complex language-based inpainting requests effectively. Our comprehensive results showcase the dataset's versatility and the model's effectiveness in various language-instructed inpainting scenarios. We will make datasets, code, and models publicly available.
The past decade has witnessed great strides in video recovery by specialist technologies, like video inpainting, completion, and error concealment. However, they typically simulate the missing content by manual-designed error masks, thus failing to fill in the realistic video loss in video communication (e.g., telepresence, live streaming, and internet video) and multimedia forensics. To address this, we introduce the bitstream-corrupted video (BSCV) benchmark, the first benchmark dataset with more than 28,000 video clips, which can be used for bitstream-corrupted video recovery in the real world. The BSCV is a collection of 1) a proposed three-parameter corruption model for video bitstream, 2) a large-scale dataset containing rich error patterns, multiple corruption levels, and flexible dataset branches, and 3) a plug-and-play module in video recovery framework that serves as a benchmark. We evaluate state-of-the-art video inpainting methods on the BSCV dataset, demonstrating existing approaches' limitations and our framework's advantages in solving the bitstream-corrupted video recovery problem. The benchmark and dataset are released at https://github.com/LIUTIGHE/BSCV-Dataset.
Recent advances in diffusion models have successfully enabled text-guided image inpainting. While it seems straightforward to extend such editing capability into the video domain, there have been fewer works regarding text-guided video inpainting. Given a video, a masked region at its initial frame, and an editing prompt, it requires a model to do infilling at each frame following the editing guidance while keeping the out-of-mask region intact. There are three main challenges in text-guided video inpainting: ($i$) temporal consistency of the edited video, ($ii$) supporting different inpainting types at different structural fidelity levels, and ($iii$) dealing with variable video length. To address these challenges, we introduce Any-Length Video Inpainting with Diffusion Model, dubbed as AVID. At its core, our model is equipped with effective motion modules and adjustable structure guidance, for fixed-length video inpainting. Building on top of that, we propose a novel Temporal MultiDiffusion sampling pipeline with a middle-frame attention guidance mechanism, facilitating the generation of videos with any desired duration. Our comprehensive experiments show our model can robustly deal with various inpainting types at different video duration ranges, with high quality. More visualization results are made publicly available at https://zhang-zx.github.io/AVID/ .
Diffusion models have made tremendous progress in text-driven image and video generation. Now text-to-image foundation models are widely applied to various downstream image synthesis tasks, such as controllable image generation and image editing, while downstream video synthesis tasks are less explored for several reasons. First, it requires huge memory and computation overhead to train a video generation foundation model. Even with video foundation models, additional costly training is still required for downstream video synthesis tasks. Second, although some works extend image diffusion models into videos in a training-free manner, temporal consistency cannot be well preserved. Finally, these adaption methods are specifically designed for one task and fail to generalize to different tasks. To mitigate these issues, we propose a training-free general-purpose video synthesis framework, coined as {\bf BIVDiff}, via bridging specific image diffusion models and general text-to-video foundation diffusion models. Specifically, we first use a specific image diffusion model (e.g., ControlNet and Instruct Pix2Pix) for frame-wise video generation, then perform Mixed Inversion on the generated video, and finally input the inverted latents into the video diffusion models (e.g., VidRD and ZeroScope) for temporal smoothing. This decoupled framework enables flexible image model selection for different purposes with strong task generalization and high efficiency. To validate the effectiveness and general use of BIVDiff, we perform a wide range of video synthesis tasks, including controllable video generation, video editing, video inpainting, and outpainting.
Video inpainting has been challenged by complex scenarios like large movements and low-light conditions. Current methods, including emerging diffusion models, face limitations in quality and efficiency. This paper introduces the Flow-Guided Diffusion model for Video Inpainting (FGDVI), a novel approach that significantly enhances temporal consistency and inpainting quality via reusing an off-the-shelf image generation diffusion model. We employ optical flow for precise one-step latent propagation and introduces a model-agnostic flow-guided latent interpolation technique. This technique expedites denoising, seamlessly integrating with any Video Diffusion Model (VDM) without additional training. Our FGDVI demonstrates a remarkable 10% improvement in flow warping error E_warp over existing state-of-the-art methods. Our comprehensive experiments validate superior performance of FGDVI, offering a promising direction for advanced video inpainting. The code and detailed results will be publicly available in https://github.com/NevSNev/FGDVI.
Video inpainting is the task of filling a region in a video in a visually convincing manner. It is very challenging due to the high dimensionality of the data and the temporal consistency required for obtaining convincing results. Recently, diffusion models have shown impressive results in modeling complex data distributions, including images and videos. Such models remain nonetheless very expensive to train and to perform inference with, which strongly reduce their applicability to videos, and yields unreasonable computational loads. We show that in the case of video inpainting, thanks to the highly auto-similar nature of videos, the training data of a diffusion model can be restricted to the input video and still produce very satisfying results. This leads us to adopt an internal learning approach, which also allows us to greatly reduce the neural network size by about three orders of magnitude less than current diffusion models used for image inpainting. We also introduce a new method for efficient training and inference of diffusion models in the context of internal learning, by splitting the diffusion process into different learning intervals corresponding to different noise levels of the diffusion process. To the best of our knowledge, this is the first video inpainting method based purely on diffusion. Other methods require additional components such as optical flow estimation, which limits their performance in the case of dynamic textures and complex motions. We show qualitative and quantitative results, demonstrating that our method reaches state of the art performance in the case of dynamic textures and complex dynamic backgrounds.
Humans can easily imagine a scene from auditory information based on their prior knowledge of audio-visual events. In this paper, we mimic this innate human ability in deep learning models to improve the quality of video inpainting. To implement the prior knowledge, we first train the audio-visual network, which learns the correspondence between auditory and visual information. Then, the audio-visual network is employed as a guider that conveys the prior knowledge of audio-visual correspondence to the video inpainting network. This prior knowledge is transferred through our proposed two novel losses: audio-visual attention loss and audio-visual pseudo-class consistency loss. These two losses further improve the performance of the video inpainting by encouraging the inpainting result to have a high correspondence to its synchronized audio. Experimental results demonstrate that our proposed method can restore a wider domain of video scenes and is particularly effective when the sounding object in the scene is partially blinded.