The shapelet transform is a form of feature extraction for time series, in which a time series is described by its similarity to each of a collection of `shapelets'. However it has previously suffered from a number of limitations, such as being limited to regularly-spaced fully-observed time series, and having to choose between efficient training and interpretability. Here, we extend the method to continuous time, and in doing so handle the general case of irregularly-sampled partially-observed multivariate time series. Furthermore, we show that a simple regularisation penalty may be used to train efficiently without sacrificing interpretability. The continuous-time formulation additionally allows for learning the length of each shapelet (previously a discrete object) in a differentiable manner. Finally, we demonstrate that the measure of similarity between time series may be generalised to a learnt pseudometric. We validate our method by demonstrating its performance and interpretability on several datasets; for example we discover (purely from data) that the digits 5 and 6 may be distinguished by the chirality of their bottom loop, and that a kind of spectral gap exists in spoken audio classification.
We present a self-supervised learning approach to learn audio-visual representations from video and audio. Our method uses contrastive learning for cross-modal discrimination of video from audio and vice-versa. We show that optimizing for cross-modal discrimination, rather than within-modal discrimination, is important to learn good representations from video and audio. With this simple but powerful insight, our method achieves highly competitive performance when finetuned on action recognition tasks. Furthermore, while recent work in contrastive learning defines positive and negative samples as individual instances, we generalize this definition by exploring cross-modal agreement. We group together multiple instances as positives by measuring their similarity in both the video and audio feature spaces. Cross-modal agreement creates better positive and negative sets, which allows us to calibrate visual similarities by seeking within-modal discrimination of positive instances, and achieve significant gains on downstream tasks.
In the image domain, excellent representations can be learned by inducing invariance to content-preserving transformations via noise contrastive learning. In this paper, we generalize contrastive learning to a wider set of transformations, and their compositions, for which either invariance or distinctiveness is sought. We show that it is not immediately obvious how existing methods such as SimCLR can be extended to do so. Instead, we introduce a number of formal requirements that all contrastive formulations must satisfy, and propose a practical construction which satisfies these requirements. In order to maximise the reach of this analysis, we express all components of noise contrastive formulations as the choice of certain generalized transformations of the data (GDTs), including data sampling. We then consider videos as an example of data in which a large variety of transformations are applicable, accounting for the extra modalities -- for which we analyze audio and text -- and the dimension of time. We find that being invariant to certain transformations and distinctive to others is critical to learning effective video representations, improving the state-of-the-art for multiple benchmarks by a large margin, and even surpassing supervised pretraining.
Deep Convolutional Neural Networks (DCNNs) is currently the method of choice both for generative, as well as for discriminative learning in computer vision and machine learning. The success of DCNNs can be attributed to the careful selection of their building blocks (e.g., residual blocks, rectifiers, sophisticated normalization schemes, to mention but a few). In this paper, we propose $\Pi$-Nets, a new class of DCNNs. $\Pi$-Nets are polynomial neural networks, i.e., the output is a high-order polynomial of the input. $\Pi$-Nets can be implemented using special kind of skip connections and their parameters can be represented via high-order tensors. We empirically demonstrate that $\Pi$-Nets have better representation power than standard DCNNs and they even produce good results without the use of non-linear activation functions in a large battery of tasks and signals, i.e., images, graphs, and audio. When used in conjunction with activation functions, $\Pi$-Nets produce state-of-the-art results in challenging tasks, such as image generation. Lastly, our framework elucidates why recent generative models, such as StyleGAN, improve upon their predecessors, e.g., ProGAN.
In supervised machine learning, the assumption that training data is labelled correctly is not always satisfied. In this paper, we investigate an instance of labelling error for classification tasks in which the dataset is corrupted with out-of-distribution (OOD) instances: data that does not belong to any of the target classes, but is labelled as such. We show that detecting and relabelling certain OOD instances, rather than discarding them, can have a positive effect on learning. The proposed method uses an auxiliary classifier, trained on data that is known to be in-distribution, for detection and relabelling. The amount of data required for this is shown to be small. Experiments are carried out on the FSDnoisy18k audio dataset, where OOD instances are very prevalent. The proposed method is shown to improve the performance of convolutional neural networks by a significant margin. Comparisons with other noise-robust techniques are similarly encouraging.
Audio data augmentation is a key step in training deep neural networks for solving audio classification tasks. In this paper, we introduce Audiogmenter, a novel audio data augmentation library in MATLAB. We provide 15 different augmentation algorithms for raw audio data and 8 for spectrograms. We efficiently implemented several augmentation techniques whose usefulness has been extensively proved in the literature. To the best of our knowledge, this is the largest MATLAB audio data augmentation library freely available. We validate the efficiency of our algorithms evaluating them on the ESC-50 dataset. The toolbox and its documentation can be downloaded at https://github.com/LorisNanni/Audiogmenter.
Visual and audio modalities are highly correlated, yet they contain different information. Their strong correlation makes it possible to predict the semantics of one from the other with good accuracy. Their intrinsic differences make cross-modal prediction a potentially more rewarding pretext task for self-supervised learning of video and audio representations compared to within-modality learning. Based on this intuition, we propose Cross-Modal Deep Clustering (XDC), a novel self-supervised method that leverages unsupervised clustering in one modality (e.g., audio) as a supervisory signal for the other modality (e.g., video). This cross-modal supervision helps XDC utilize the semantic correlation and the differences between the two modalities. Our experiments show that XDC outperforms single-modality clustering and other multi-modal variants. XDC achieves state-of-the-art accuracy among self-supervised methods on multiple video and audio benchmarks. Most importantly, our video model pretrained on large-scale unlabeled data significantly outperforms the same model pretrained with full-supervision on ImageNet and Kinetics for action recognition on HMDB51 and UCF101. To the best of our knowledge, XDC is the first self-supervised learning method that outperforms large-scale fully-supervised pretraining for action recognition on the same architecture.
Long-range dependencies modeling, widely used in capturing spatiotemporal correlation, has shown to be effective in CNN dominated computer vision tasks. Yet neither stacks of convolutional operations to enlarge receptive fields nor recent nonlocal modules is computationally efficient. In this paper, we present a generic family of lightweight global descriptors for modeling the interactions between positions across different dimensions (e.g., channels, frames). This descriptor enables subsequent convolutions to access the informative global features with negligible computational complexity and parameters. Benchmark experiments show that the proposed method can complete state-of-the-art long-range mechanisms with a significant reduction in extra computing cost. Code available at https://github.com/HolmesShuan/Compact-Global-Descriptor.
Modern deep neural networks are well known to be brittle in the face of unknown data instances and recognition of the latter remains a challenge. Although it is inevitable for continual-learning systems to encounter such unseen concepts, the corresponding literature appears to nonetheless focus primarily on alleviating catastrophic interference with learned representations. In this work, we introduce a probabilistic approach that connects these perspectives based on variational inference in a single deep autoencoder model. Specifically, we propose to bound the approximate posterior by fitting regions of high density on the basis of correctly classified data points. These bounds are shown to serve a dual purpose: unseen unknown out-of-distribution data can be distinguished from already trained known tasks towards robust application. Simultaneously, to retain already acquired knowledge, a generative replay process can be narrowed to strictly in-distribution samples, in order to significantly alleviate catastrophic interference.
In this paper, we investigate how to learn rich and robust feature representations for audio classification from visual data and acoustic images, a novel audio data modality. Former models learn audio representations from raw signals or spectral data acquired by a single microphone, with remarkable results in classification and retrieval. However, such representations are not so robust towards variable environmental sound conditions. We tackle this drawback by exploiting a new multimodal labeled action recognition dataset acquired by a hybrid audio-visual sensor that provides RGB video, raw audio signals, and spatialized acoustic data, also known as acoustic images, where the visual and acoustic images are aligned in space and synchronized in time. Using this richer information, we train audio deep learning models in a teacher-student fashion. In particular, we distill knowledge into audio networks from both visual and acoustic image teachers. Our experiments suggest that the learned representations are more powerful and have better generalization capabilities than the features learned from models trained using just single-microphone audio data.
Explainable Artificial Intelligence (XAI) is targeted at understanding how models perform feature selection and derive their classification decisions. This paper explores post-hoc explanations for deep neural networks in the audio domain. Notably, we present a novel Open Source audio dataset consisting of 30,000 audio samples of English spoken digits which we use for classification tasks on spoken digits and speakers' biological sex. We use the popular XAI technique Layer-wise Relevance Propagation (LRP) to identify relevant features for two neural network architectures that process either waveform or spectrogram representations of the data. Based on the relevance scores obtained from LRP, hypotheses about the neural networks' feature selection are derived and subsequently tested through systematic manipulations of the input data. Further, we take a step beyond visual explanations and introduce audible heatmaps. We demonstrate the superior interpretability of audible explanations over visual ones in a human user study.
Feature learning and deep learning have drawn great attention in recent years as a way of transforming input data into more effective representations using learning algorithms. Such interest has grown in the area of music information retrieval (MIR) as well, particularly in music audio classification tasks such as auto-tagging. In this paper, we present a two-stage learning model to effectively predict multiple labels from music audio. The first stage learns to project local spectral patterns of an audio track onto a high-dimensional sparse space in an unsupervised manner and summarizes the audio track as a bag-of-features. The second stage successively performs the unsupervised learning on the bag-of-features in a layer-by-layer manner to initialize a deep neural network and finally fine-tunes it with the tag labels. Through the experiment, we rigorously examine training choices and tuning parameters, and show that the model achieves high performance on Magnatagatune, a popularly used dataset in music auto-tagging.
Traditional convolutional layers extract features from patches of data by applying a non-linearity on an affine function of the input. We propose a model that enhances this feature extraction process for the case of sequential data, by feeding patches of the data into a recurrent neural network and using the outputs or hidden states of the recurrent units to compute the extracted features. By doing so, we exploit the fact that a window containing a few frames of the sequential data is a sequence itself and this additional structure might encapsulate valuable information. In addition, we allow for more steps of computation in the feature extraction process, which is potentially beneficial as an affine function followed by a non-linearity can result in too simple features. Using our convolutional recurrent layers we obtain an improvement in performance in two audio classification tasks, compared to traditional convolutional layers. Tensorflow code for the convolutional recurrent layers is publicly available in https://github.com/cruvadom/Convolutional-RNN.
We present the ConditionaL Neural Network (CLNN) and the Masked ConditionaL Neural Network (MCLNN) designed for temporal signal recognition. The CLNN takes into consideration the temporal nature of the sound signal and the MCLNN extends upon the CLNN through a binary mask to preserve the spatial locality of the features and allows an automated exploration of the features combination analogous to hand-crafting the most relevant features for the recognition task. MCLNN has achieved competitive recognition accuracies on the GTZAN and the ISMIR2004 music datasets that surpass several state-of-the-art neural network based architectures and hand-crafted methods applied on both datasets.
Audio content analysis in terms of sound events is an important research problem for a variety of applications. Recently, the development of weak labeling approaches for audio or sound event detection (AED) and availability of large scale weakly labeled dataset have finally opened up the possibility of large scale AED. However, a deeper understanding of how weak labels affect the learning for sound events is still missing from literature. In this work, we first describe a CNN based approach for weakly supervised training of audio events. The approach follows some basic design principle desirable in a learning method relying on weakly labeled audio. We then describe important characteristics, which naturally arise in weakly supervised learning of sound events. We show how these aspects of weak labels affect the generalization of models. More specifically, we study how characteristics such as label density and corruption of labels affects weakly supervised training for audio events. We also study the feasibility of directly obtaining weak labeled data from the web without any manual label and compare it with a dataset which has been manually labeled. The analysis and understanding of these factors should be taken into picture in the development of future weak label learning methods. Audioset, a large scale weakly labeled dataset for sound events is used in our experiments.