In this article, we adapted five recent SSL methods to the task of audio classification. The first two methods, namely Deep Co-Training (DCT) and Mean Teacher (MT), involve two collaborative neural networks. The three other algorithms, called MixMatch (MM), ReMixMatch (RMM), and FixMatch (FM), are single-model methods that rely primarily on data augmentation strategies. Using the Wide-ResNet-28-2 architecture in all our experiments, 10% of labeled data and the remaining 90% as unlabeled data for training, we first compare the error rates of the five methods on three standard benchmark audio datasets: Environmental Sound Classification (ESC-10), UrbanSound8K (UBS8K), and Google Speech Commands (GSC). In all but one cases, MM, RMM, and FM outperformed MT and DCT significantly, MM and RMM being the best methods in most experiments. On UBS8K and GSC, MM achieved 18.02% and 3.25% error rate (ER), respectively, outperforming models trained with 100% of the available labeled data, which reached 23.29% and 4.94%, respectively. RMM achieved the best results on ESC-10 (12.00% ER), followed by FM which reached 13.33%. Second, we explored adding the mixup augmentation, used in MM and RMM, to DCT, MT, and FM. In almost all cases, mixup brought consistent gains. For instance, on GSC, FM reached 4.44% and 3.31% ER without and with mixup. Our PyTorch code will be made available upon paper acceptance at https:// github. com/ Labbe ti/ SSLH.
Urban sound classification has been achieving remarkable progress and is still an active research area in audio pattern recognition. In particular, it allows to monitor the noise pollution, which becomes a growing concern for large cities. The contribution of this paper is two-fold. First, we present our DCASE 2020 task 5 winning solution which aims at helping the monitoring of urban noise pollution. It achieves a macro-AUPRC of 0.82 / 0.62 for the coarse / fine classification on validation set. Moreover, it reaches accuracies of 89.7% and 85.41% respectively on ESC-50 and US8k datasets. Second, it is not easy to find a fair comparison and to reproduce the performance of existing models. Sometimes authors copy-pasting the results of the original papers which is not helping reproducibility. As a result, we provide a fair comparison by using the same input representation, metrics and optimizer to assess performances. We preserve data augmentation used by the original papers. We hope this framework could help evaluate new architectures in this field. For better reproducibility, the code is available on our GitHub repository.
Environmental Sound Classification (ESC) is an active research area in the audio domain and has seen a lot of progress in the past years. However, many of the existing approaches achieve high accuracy by relying on domain-specific features and architectures, making it harder to benefit from advances in other fields (e.g., the image domain). Additionally, some of the past successes have been attributed to a discrepancy of how results are evaluated (i.e., on unofficial splits of the UrbanSound8K (US8K) dataset), distorting the overall progression of the field. The contribution of this paper is twofold. First, we present a model that is inherently compatible with mono and stereo sound inputs. Our model is based on simple log-power Short-Time Fourier Transform (STFT) spectrograms and combines them with several well-known approaches from the image domain (i.e., ResNet, Siamese-like networks and attention). We investigate the influence of cross-domain pre-training, architectural changes, and evaluate our model on standard datasets. We find that our model out-performs all previously known approaches in a fair comparison by achieving accuracies of 97.0 % (ESC-10), 91.5 % (ESC-50) and 84.2 % / 85.4 % (US8K mono / stereo). Second, we provide a comprehensive overview of the actual state of the field, by differentiating several previously reported results on the US8K dataset between official or unofficial splits. For better reproducibility, our code (including any re-implementations) is made available.
In this paper, we propose a framework for environmental sound classification in a low-data context (less than 100 labeled examples per class). We show that using pre-trained image classification models along with the usage of data augmentation techniques results in higher performance over alternative approaches. We applied this system to the task of Urban Sound Tagging, part of the DCASE 2019. The objective was to label different sources of noise from raw audio data. A modified form of MobileNetV2, a convolutional neural network (CNN) model was trained to classify both coarse and fine tags jointly. The proposed model uses log-scaled Mel-spectrogram as the representation format for the audio data. Mixup, Random erasing, scaling, and shifting are used as data augmentation techniques. A second model that uses scaled labels was built to account for human errors in the annotations. The proposed model achieved the first rank on the leaderboard with Micro-AUPRC values of 0.751 and 0.860 on fine and coarse tags, respectively.
In this paper, we present an end-to-end approach for environmental sound classification based on a 1D Convolution Neural Network (CNN) that learns a representation directly from the audio signal. Several convolutional layers are used to capture the signal's fine time structure and learn diverse filters that are relevant to the classification task. The proposed approach can deal with audio signals of any length as it splits the signal into overlapped frames using a sliding window. Different architectures considering several input sizes are evaluated, including the initialization of the first convolutional layer with a Gammatone filterbank that models the human auditory filter response in the cochlea. The performance of the proposed end-to-end approach in classifying environmental sounds was assessed on the UrbanSound8k dataset and the experimental results have shown that it achieves 89% of mean accuracy. Therefore, the propose approach outperforms most of the state-of-the-art approaches that use handcrafted features or 2D representations as input. Furthermore, the proposed approach has a small number of parameters compared to other architectures found in the literature, which reduces the amount of data required for training.
The ability of deep convolutional neural networks (CNN) to learn discriminative spectro-temporal patterns makes them well suited to environmental sound classification. However, the relative scarcity of labeled data has impeded the exploitation of this family of high-capacity models. This study has two primary contributions: first, we propose a deep convolutional neural network architecture for environmental sound classification. Second, we propose the use of audio data augmentation for overcoming the problem of data scarcity and explore the influence of different augmentations on the performance of the proposed CNN architecture. Combined with data augmentation, the proposed model produces state-of-the-art results for environmental sound classification. We show that the improved performance stems from the combination of a deep, high-capacity model and an augmented training set: this combination outperforms both the proposed CNN without augmentation and a "shallow" dictionary learning model with augmentation. Finally, we examine the influence of each augmentation on the model's classification accuracy for each class, and observe that the accuracy for each class is influenced differently by each augmentation, suggesting that the performance of the model could be improved further by applying class-conditional data augmentation.
End-to-end neural network based approaches to audio modelling are generally outperformed by models trained on high-level data representations. In this paper we present preliminary work that shows the feasibility of training the first layers of a deep convolutional neural network (CNN) model to learn the commonly-used log-scaled mel-spectrogram transformation. Secondly, we demonstrate that upon initializing the first layers of an end-to-end CNN classifier with the learned transformation, convergence and performance on the ESC-50 environmental sound classification dataset are similar to a CNN-based model trained on the highly pre-processed log-scaled mel-spectrogram features.
The ConditionaL Neural Network (CLNN) exploits the nature of the temporal sequencing of the sound signal represented in a spectrogram, and its variant the Masked ConditionaL Neural Network (MCLNN) induces the network to learn in frequency bands by embedding a filterbank-like sparseness over the network's links using a binary mask. Additionally, the masking automates the exploration of different feature combinations concurrently analogous to handcrafting the optimum combination of features for a recognition task. We have evaluated the MCLNN performance using the Urbansound8k dataset of environmental sounds. Additionally, we present a collection of manually recorded sounds for rail and road traffic, YorNoise, to investigate the confusion rates among machine generated sounds possessing low-frequency components. MCLNN has achieved competitive results without augmentation and using 12% of the trainable parameters utilized by an equivalent model based on state-of-the-art Convolutional Neural Networks on the Urbansound8k. We extended the Urbansound8k dataset with YorNoise, where experiments have shown that common tonal properties affect the classification performance.