Recent advancements of generative AI have significantly promoted content creation and editing, where prevailing studies further extend this exciting progress to video editing. In doing so, these studies mainly transfer the inherent motion patterns from the source videos to the edited ones, where results with inferior consistency to user prompts are often observed, due to the lack of particular alignments between the delivered motions and edited contents. To address this limitation, we present a shape-consistent video editing method, namely StableV2V, in this paper. Our method decomposes the entire editing pipeline into several sequential procedures, where it edits the first video frame, then establishes an alignment between the delivered motions and user prompts, and eventually propagates the edited contents to all other frames based on such alignment. Furthermore, we curate a testing benchmark, namely DAVIS-Edit, for a comprehensive evaluation of video editing, considering various types of prompts and difficulties. Experimental results and analyses illustrate the outperforming performance, visual consistency, and inference efficiency of our method compared to existing state-of-the-art studies.
Rectified-flow-based diffusion transformers like FLUX and OpenSora have demonstrated outstanding performance in the field of image and video generation. Despite their robust generative capabilities, these models often struggle with inversion inaccuracies, which could further limit their effectiveness in downstream tasks such as image and video editing. To address this issue, we propose RF-Solver, a novel training-free sampler that effectively enhances inversion precision by mitigating the errors in the ODE-solving process of rectified flow. Specifically, we derive the exact formulation of the rectified flow ODE and apply the high-order Taylor expansion to estimate its nonlinear components, significantly enhancing the precision of ODE solutions at each timestep. Building upon RF-Solver, we further propose RF-Edit, a general feature-sharing-based framework for image and video editing. By incorporating self-attention features from the inversion process into the editing process, RF-Edit effectively preserves the structural information of the source image or video while achieving high-quality editing results. Our approach is compatible with any pre-trained rectified-flow-based models for image and video tasks, requiring no additional training or optimization. Extensive experiments across generation, inversion, and editing tasks in both image and video modalities demonstrate the superiority and versatility of our method. The source code is available at https://github.com/wangjiangshan0725/RF-Solver-Edit.
This paper presents UniVST, a unified framework for localized video style transfer based on diffusion model. It operates without the need for training, offering a distinct advantage over existing diffusion methods that transfer style across entire videos. The endeavors of this paper comprise: (1) A point-matching mask propagation strategy that leverages the feature maps from the DDIM inversion. This streamlines the model's architecture by obviating the need for tracking models. (2) A training-free AdaIN-guided video style transfer mechanism that operates at both the latent and attention levels. This balances content fidelity and style richness, mitigating the loss of localized details commonly associated with direct video stylization. (3) A sliding-window consistent smoothing scheme that harnesses optical flow within the pixel representation and refines predicted noise to update the latent space. This significantly enhances temporal consistency and diminishes artifacts in stylized video. Our proposed UniVST has been validated to be superior to existing methods in quantitative and qualitative metrics. It adeptly addresses the challenges of preserving the primary object's style while ensuring temporal consistency and detail preservation. Our code is available at https://github.com/QuanjianSong/UniVST.
We present Movie Gen, a cast of foundation models that generates high-quality, 1080p HD videos with different aspect ratios and synchronized audio. We also show additional capabilities such as precise instruction-based video editing and generation of personalized videos based on a user's image. Our models set a new state-of-the-art on multiple tasks: text-to-video synthesis, video personalization, video editing, video-to-audio generation, and text-to-audio generation. Our largest video generation model is a 30B parameter transformer trained with a maximum context length of 73K video tokens, corresponding to a generated video of 16 seconds at 16 frames-per-second. We show multiple technical innovations and simplifications on the architecture, latent spaces, training objectives and recipes, data curation, evaluation protocols, parallelization techniques, and inference optimizations that allow us to reap the benefits of scaling pre-training data, model size, and training compute for training large scale media generation models. We hope this paper helps the research community to accelerate progress and innovation in media generation models. All videos from this paper are available at https://go.fb.me/MovieGenResearchVideos.
Large-scale Text-to-Video (T2V) diffusion models have recently demonstrated unprecedented capability to transform natural language descriptions into stunning and photorealistic videos. Despite the promising results, a significant challenge remains: these models struggle to fully grasp complex compositional interactions between multiple concepts and actions. This issue arises when some words dominantly influence the final video, overshadowing other concepts.To tackle this problem, we introduce \textbf{Vico}, a generic framework for compositional video generation that explicitly ensures all concepts are represented properly. At its core, Vico analyzes how input tokens influence the generated video, and adjusts the model to prevent any single concept from dominating. Specifically, Vico extracts attention weights from all layers to build a spatial-temporal attention graph, and then estimates the influence as the \emph{max-flow} from the source text token to the video target token. Although the direct computation of attention flow in diffusion models is typically infeasible, we devise an efficient approximation based on subgraph flows and employ a fast and vectorized implementation, which in turn makes the flow computation manageable and differentiable. By updating the noisy latent to balance these flows, Vico captures complex interactions and consequently produces videos that closely adhere to textual descriptions. We apply our method to multiple diffusion-based video models for compositional T2V and video editing. Empirical results demonstrate that our framework significantly enhances the compositional richness and accuracy of the generated videos. Visit our website at~\href{https://adamdad.github.io/vico/}{\url{https://adamdad.github.io/vico/}}.
The rapid development of diffusion models has significantly advanced AI-generated content (AIGC), particularly in Text-to-Image (T2I) and Text-to-Video (T2V) generation. Text-based video editing, leveraging these generative capabilities, has emerged as a promising field, enabling precise modifications to videos based on text prompts. Despite the proliferation of innovative video editing models, there is a conspicuous lack of comprehensive evaluation benchmarks that holistically assess these models' performance across various dimensions. Existing evaluations are limited and inconsistent, typically summarizing overall performance with a single score, which obscures models' effectiveness on individual editing tasks. To address this gap, we propose EditBoard, the first comprehensive evaluation benchmark for text-based video editing models. EditBoard encompasses nine automatic metrics across four dimensions, evaluating models on four task categories and introducing three new metrics to assess fidelity. This task-oriented benchmark facilitates objective evaluation by detailing model performance and providing insights into each model's strengths and weaknesses. By open-sourcing EditBoard, we aim to standardize evaluation and advance the development of robust video editing models.
During the COVID-19 pandemic, face masks have become ubiquitous in our lives. Face masks can cause some face recognition models to fail since they cover significant portion of a face. In addition, removing face masks from captured images or videos can be desirable, e.g., for better social interaction and for image/video editing and enhancement purposes. Hence, we propose a generative face inpainting method to effectively recover/reconstruct the masked part of a face. Face inpainting is more challenging compared to traditional inpainting, since it requires high fidelity while maintaining the identity at the same time. Our proposed method includes a Multi-scale Channel-Spatial Attention Module (M-CSAM) to mitigate the spatial information loss and learn the inter- and intra-channel correlation. In addition, we introduce an approach enforcing the supervised signal to focus on masked regions instead of the whole image. We also synthesize our own Masked-Faces dataset from the CelebA dataset by incorporating five different types of face masks, including surgical mask, regular mask and scarves, which also cover the neck area. The experimental results show that our proposed method outperforms different baselines in terms of structural similarity index measure, peak signal-to-noise ratio and l1 loss, while also providing better outputs qualitatively. The code will be made publicly available. Code is available at GitHub.
Recent advancements in generative models have significantly enhanced their capacity for image generation, enabling a wide range of applications such as image editing, completion and video editing. A specialized area within generative modeling is layout-to-image (L2I) generation, where predefined layouts of objects guide the generative process. In this study, we introduce a novel regional cross-attention module tailored to enrich layout-to-image generation. This module notably improves the representation of layout regions, particularly in scenarios where existing methods struggle with highly complex and detailed textual descriptions. Moreover, while current open-vocabulary L2I methods are trained in an open-set setting, their evaluations often occur in closed-set environments. To bridge this gap, we propose two metrics to assess L2I performance in open-vocabulary scenarios. Additionally, we conduct a comprehensive user study to validate the consistency of these metrics with human preferences.
Shadows are created when light encounters obstacles, resulting in regions of reduced illumination. In computer vision, detecting, removing, and generating shadows are critical tasks for improving scene understanding, enhancing image quality, ensuring visual consistency in video editing, and optimizing virtual environments. This paper offers a comprehensive survey and evaluation benchmark on shadow detection, removal, and generation in both images and videos, focusing on the deep learning approaches of the past decade. It covers key aspects such as tasks, deep models, datasets, evaluation metrics, and comparative results under consistent experimental settings. Our main contributions include a thorough survey of shadow analysis, the standardization of experimental comparisons, an exploration of the relationships between model size, speed, and performance, a cross-dataset generalization study, the identification of open challenges and future research directions, and the provision of publicly available resources to support further research in this field.
Text-driven video editing has recently experienced rapid development. Despite this, evaluating edited videos remains a considerable challenge. Current metrics tend to fail to align with human perceptions, and effective quantitative metrics for video editing are still notably absent. To address this, we introduce VE-Bench, a benchmark suite tailored to the assessment of text-driven video editing. This suite includes VE-Bench DB, a video quality assessment (VQA) database for video editing. VE-Bench DB encompasses a diverse set of source videos featuring various motions and subjects, along with multiple distinct editing prompts, editing results from 8 different models, and the corresponding Mean Opinion Scores (MOS) from 24 human annotators. Based on VE-Bench DB, we further propose VE-Bench QA, a quantitative human-aligned measurement for the text-driven video editing task. In addition to the aesthetic, distortion, and other visual quality indicators that traditional VQA methods emphasize, VE-Bench QA focuses on the text-video alignment and the relevance modeling between source and edited videos. It proposes a new assessment network for video editing that attains superior performance in alignment with human preferences. To the best of our knowledge, VE-Bench introduces the first quality assessment dataset for video editing and an effective subjective-aligned quantitative metric for this domain. All data and code will be publicly available at https://github.com/littlespray/VE-Bench.
The recent wave of foundation models has witnessed tremendous success in computer vision (CV) and beyond, with the segment anything model (SAM) having sparked a passion for exploring task-agnostic visual foundation models. Empowered by its remarkable zero-shot generalization, SAM is currently challenging numerous traditional paradigms in CV, delivering extraordinary performance not only in various image segmentation and multi-modal segmentation (\eg, text-to-mask) tasks, but also in the video domain. Additionally, the latest released SAM 2 is once again sparking research enthusiasm in the realm of promptable visual segmentation for both images and videos. However, existing surveys mainly focus on SAM in various image processing tasks, a comprehensive and in-depth review in the video domain is notably absent. To address this gap, this work conducts a systematic review on SAM for videos in the era of foundation models. As the first to review the progress of SAM for videos, this work focuses on its applications to various tasks by discussing its recent advances, and innovation opportunities of developing foundation models on broad applications. We begin with a brief introduction to the background of SAM and video-related research domains. Subsequently, we present a systematic taxonomy that categorizes existing methods into three key areas: video understanding, video generation, and video editing, analyzing and summarizing their advantages and limitations. Furthermore, comparative results of SAM-based and current state-of-the-art methods on representative benchmarks, as well as insightful analysis are offered. Finally, we discuss the challenges faced by current research and envision several future research directions in the field of SAM for video and beyond.
Traditional shadow detectors often identify all shadow regions of static images or video sequences. This work presents the Referring Video Shadow Detection (RVSD), which is an innovative task that rejuvenates the classic paradigm by facilitating the segmentation of particular shadows in videos based on descriptive natural language prompts. This novel RVSD not only achieves segmentation of arbitrary shadow areas of interest based on descriptions (flexibility) but also allows users to interact with visual content more directly and naturally by using natural language prompts (interactivity), paving the way for abundant applications ranging from advanced video editing to virtual reality experiences. To pioneer the RVSD research, we curated a well-annotated RVSD dataset, which encompasses 86 videos and a rich set of 15,011 paired textual descriptions with corresponding shadows. To the best of our knowledge, this dataset is the first one for addressing RVSD. Based on this dataset, we propose a Referring Shadow-Track Memory Network (RSM-Net) for addressing the RVSD task. In our RSM-Net, we devise a Twin-Track Synergistic Memory (TSM) to store intra-clip memory features and hierarchical inter-clip memory features, and then pass these memory features into a memory read module to refine features of the current video frame for referring shadow detection. We also develop a Mixed-Prior Shadow Attention (MSA) to utilize physical priors to obtain a coarse shadow map for learning more visual features by weighting it with the input video frame. Experimental results show that our RSM-Net achieves state-of-the-art performance for RVSD with a notable Overall IOU increase of 4.4\%. Our code and dataset are available at https://github.com/whq-xxh/RVSD.
Generic event boundary detection (GEBD), inspired by human visual cognitive behaviors of consistently segmenting videos into meaningful temporal chunks, finds utility in various applications such as video editing and. In this paper, we demonstrate that SOTA GEBD models often prioritize final performance over model complexity, resulting in low inference speed and hindering efficient deployment in real-world scenarios. We contribute to addressing this challenge by experimentally reexamining the architecture of GEBD models and uncovering several surprising findings. Firstly, we reveal that a concise GEBD baseline model already achieves promising performance without any sophisticated design. Secondly, we find that the widely applied image-domain backbones in GEBD models can contain plenty of architecture redundancy, motivating us to gradually ``modernize'' each component to enhance efficiency. Thirdly, we show that the GEBD models using image-domain backbones conducting the spatiotemporal learning in a spatial-then-temporal greedy manner can suffer from a distraction issue, which might be the inefficient villain for GEBD. Using a video-domain backbone to jointly conduct spatiotemporal modeling is an effective solution for this issue. The outcome of our exploration is a family of GEBD models, named EfficientGEBD, significantly outperforms the previous SOTA methods by up to 1.7\% performance gain and 280\% speedup under the same backbone. Our research prompts the community to design modern GEBD methods with the consideration of model complexity, particularly in resource-aware applications. The code is available at \url{https://github.com/Ziwei-Zheng/EfficientGEBD}.
The rapid development of diffusion models (DMs) has significantly advanced image and video applications, making "what you want is what you see" a reality. Among these, video editing has gained substantial attention and seen a swift rise in research activity, necessitating a comprehensive and systematic review of the existing literature. This paper reviews diffusion model-based video editing techniques, including theoretical foundations and practical applications. We begin by overviewing the mathematical formulation and image domain's key methods. Subsequently, we categorize video editing approaches by the inherent connections of their core technologies, depicting evolutionary trajectory. This paper also dives into novel applications, including point-based editing and pose-guided human video editing. Additionally, we present a comprehensive comparison using our newly introduced V2VBench. Building on the progress achieved to date, the paper concludes with ongoing challenges and potential directions for future research.
Video composition is the core task of video editing. Although image composition based on diffusion models has been highly successful, it is not straightforward to extend the achievement to video object composition tasks, which not only exhibit corresponding interaction effects but also ensure that the objects in the composited video maintain motion and identity consistency, which is necessary to composite a physical harmony video. To address this challenge, we propose a Multiple Video Object Composition (MVOC) method based on diffusion models. Specifically, we first perform DDIM inversion on each video object to obtain the corresponding noise features. Secondly, we combine and edit each object by image editing methods to obtain the first frame of the composited video. Finally, we use the image-to-video generation model to composite the video with feature and attention injections in the Video Object Dependence Module, which is a training-free conditional guidance operation for video generation, and enables the coordination of features and attention maps between various objects that can be non-independent in the composited video. The final generative model not only constrains the objects in the generated video to be consistent with the original object motion and identity, but also introduces interaction effects between objects. Extensive experiments have demonstrated that the proposed method outperforms existing state-of-the-art approaches. Project page: https://sobeymil.github.io/mvoc.com.
Image editing aims to edit the given synthetic or real image to meet the specific requirements from users. It is widely studied in recent years as a promising and challenging field of Artificial Intelligence Generative Content (AIGC). Recent significant advancement in this field is based on the development of text-to-image (T2I) diffusion models, which generate images according to text prompts. These models demonstrate remarkable generative capabilities and have become widely used tools for image editing. T2I-based image editing methods significantly enhance editing performance and offer a user-friendly interface for modifying content guided by multimodal inputs. In this survey, we provide a comprehensive review of multimodal-guided image editing techniques that leverage T2I diffusion models. First, we define the scope of image editing from a holistic perspective and detail various control signals and editing scenarios. We then propose a unified framework to formalize the editing process, categorizing it into two primary algorithm families. This framework offers a design space for users to achieve specific goals. Subsequently, we present an in-depth analysis of each component within this framework, examining the characteristics and applicable scenarios of different combinations. Given that training-based methods learn to directly map the source image to target one under user guidance, we discuss them separately, and introduce injection schemes of source image in different scenarios. Additionally, we review the application of 2D techniques to video editing, highlighting solutions for inter-frame inconsistency. Finally, we discuss open challenges in the field and suggest potential future research directions. We keep tracing related works at https://github.com/xinchengshuai/Awesome-Image-Editing.
Video editing is an emerging task, in which most current methods adopt the pre-trained text-to-image (T2I) diffusion model to edit the source video in a zero-shot manner. Despite extensive efforts, maintaining the temporal consistency of edited videos remains challenging due to the lack of temporal constraints in the regular T2I diffusion model. To address this issue, we propose COrrespondence-guided Video Editing (COVE), leveraging the inherent diffusion feature correspondence to achieve high-quality and consistent video editing. Specifically, we propose an efficient sliding-window-based strategy to calculate the similarity among tokens in the diffusion features of source videos, identifying the tokens with high correspondence across frames. During the inversion and denoising process, we sample the tokens in noisy latent based on the correspondence and then perform self-attention within them. To save GPU memory usage and accelerate the editing process, we further introduce the temporal-dimensional token merging strategy, which can effectively reduce redundancy. COVE can be seamlessly integrated into the pre-trained T2I diffusion model without the need for extra training or optimization. Extensive experiment results demonstrate that COVE achieves the start-of-the-art performance in various video editing scenarios, outperforming existing methods both quantitatively and qualitatively. The code will be release at https://github.com/wangjiangshan0725/COVE.
In video editing, the hallmark of a quality edit lies in its consistent and unobtrusive adjustment. Modification, when integrated, must be smooth and subtle, preserving the natural flow and aligning seamlessly with the original vision. Therefore, our primary focus is on overcoming the current challenges in high quality edit to ensure that each edit enhances the final product without disrupting its intended essence. However, quality deterioration such as blurring and flickering is routinely observed in recent diffusion video editing systems. We confirm that this deterioration often stems from high-frequency leak: the diffusion model fails to accurately synthesize high-frequency components during denoising process. To this end, we devise Frequency Adapting Group (FRAG) which enhances the video quality in terms of consistency and fidelity by introducing a novel receptive field branch to preserve high-frequency components during the denoising process. FRAG is performed in a model-agnostic manner without additional training and validates the effectiveness on video editing benchmarks (i.e., TGVE, DAVIS).
We propose a video editing framework, NaRCan, which integrates a hybrid deformation field and diffusion prior to generate high-quality natural canonical images to represent the input video. Our approach utilizes homography to model global motion and employs multi-layer perceptrons (MLPs) to capture local residual deformations, enhancing the model's ability to handle complex video dynamics. By introducing a diffusion prior from the early stages of training, our model ensures that the generated images retain a high-quality natural appearance, making the produced canonical images suitable for various downstream tasks in video editing, a capability not achieved by current canonical-based methods. Furthermore, we incorporate low-rank adaptation (LoRA) fine-tuning and introduce a noise and diffusion prior update scheduling technique that accelerates the training process by 14 times. Extensive experimental results show that our method outperforms existing approaches in various video editing tasks and produces coherent and high-quality edited video sequences. See our project page for video results at https://koi953215.github.io/NaRCan_page/.
Video-to-video synthesis poses significant challenges in maintaining character consistency, smooth temporal transitions, and preserving visual quality during fast motion. While recent fully cross-frame self-attention mechanisms have improved character consistency across multiple frames, they come with high computational costs and often include redundant operations, especially for videos with higher frame rates. To address these inefficiencies, we propose an adaptive motion-guided cross-frame attention mechanism that selectively reduces redundant computations. This enables a greater number of cross-frame attentions over more frames within the same computational budget, thereby enhancing both video quality and temporal coherence. Our method leverages optical flow to focus on moving regions while sparsely attending to stationary areas, allowing for the joint editing of more frames without increasing computational demands. Traditional frame interpolation techniques struggle with motion blur and flickering in intermediate frames, which compromises visual fidelity. To mitigate this, we introduce KV-caching for jointly edited frames, reusing keys and values across intermediate frames to preserve visual quality and maintain temporal consistency throughout the video. With our adaptive cross-frame self-attention approach, we achieve a threefold increase in the number of keyframes processed compared to existing methods, all within the same computational budget as fully cross-frame attention baselines. This results in significant improvements in prediction accuracy and temporal consistency, outperforming state-of-the-art approaches. Code will be made publicly available at https://github.com/tanvir-utexas/AdaVE/tree/main